108 Ultimate Machines-1st Experiment 

Date: 6/14/01

Disclaimer

This article deals with and involves subject matter and the use of materials and substances that may be hazardous to health and life. Do Not attempt to implement or use the information contained herein, unless you are experienced and skilled with respect to such subject matter, materials, and substances. Neither the publisher nor the author make any representation as for the completeness or accuracy of the information contained herein, and disclaim any liability for damages or injuries, whether caused by or arising from the lack of completeness, inaccuracies of the information, misrepresentations of the directions, misapplication of the information, or otherwise.

The Conjugate Triple Heli-toroid.

Mimicking the 4th (gravitic), 5th (electric) and 6th (magnetic) dimensions.
Mimicking the 4th (gravitic), 5th (electric) and 6th (magnetic) dimensions.

The embodiment of this invention consists of 2 neutral conducting helical coils upon which is wound, counterbary-counterwound wire, which wire is wound about in a helical fashion beforehand, clockwise on the first toroid and counter-clockwise on the second toroid, this repeating three times so that the invention has three layers of helically wound wire representing the 90 degree shift of magnetism, electricity and gravity. These helical coils will be formed afterward, into 2 toroidal shapes with their endings connected, each toroid being independently wound and connected, except for the output. These overall wound and toroidially connected coils will represent the toroidal electron. No wire need be so heavy as to be useless in bending. It is the frequency the wires carry and not amperage.

Construction Method:

1. All wire must be varnished and insulated from all other wire. The following windings will look like the composite wire in low note piano strings, wire wound upon wire, being three composites of three, one wound composite upon the other.

2. Taking the heaviest wire (6), wind around it the electricity wire (5) of suitable length as to complete a winding around the torus.

3. Wind around this composite wire (6)+(5), another finer composite magnetism wire (4)+(3) of the same configuration as the first (6)+(5) of a suitable length as to complete a winding around the torus.

4. Wind around this finer double composite electricity/magnetism wire (6)+(5)+(4)+(3), the finest composite gravity wire (2)+(1) of the same configuration as the first composite electricity wire (6)+(5) and the composite magnetism wire (4)+(3).

5. These three double windings, each wound about upon the others, in the above order represent the gravity, magnetic and electric fields 90 degrees to each other, gravity having the finest wire composite and electricity having the heaviest wire composite.

6. This configuration generates 6 helix windings as follows:

    A. 2 gravity (1)+(2) = 1 helix winding upon 1 toroidal winding (wire around wire), upon a double magnetic winding (wire around wire), upon a double electric winding (wire around wire).

    B. 2 magnetism (3)+(4) = 1 helix winding upon 1 toroidal winding (wire around wire), upon a double electric winding (wire around wire).

    C. 2 electricity (5)+(6) = 1 helix winding upon 1 toroidal winding (wire around wire).

7. Wind these previous three composite windings (3 winding operations total, 6 wires total with 12 ends) upon a toroidal shape and connect the respective circuits of each winding ends (12 ends / 6 connections), each one to its respectives:

    (6). The electric helical to electric helical.
    (5). The electric toroidal to electric toroidal .
    (4). The magnetic helical to magnetic helical.
    (3). The magnetic toroidal to magnetic toroidal.
    (2). The gravity helical to gravity helical.
    (1). The gravity toroidal to gravity toroidal.

Energizer Frequencies:

INPUT: Below are 5 scale forms discussed by Professor Zannotti, of Naples, in 1870, concerning the prism experiments of Newton, showing Major (M), minor (m) and semi-tones (x) which scales are named (1), (2), (3), (4) and (5).

The expected general result of applying the scales frequencies to the windings (tapping into the windings) should produce within the torus configuration of three layers of windings, that same harmonic information with which the 4th, 5th and 6th dimensions maintains themselves. See TEST CONFIGURATION AND EXPECTED RESULTS below for specific expected results.

INPUT OPTIONS:

Scales (1), (3), (4) and (5) are all asymmetric meaning that a Major (M) emanates from the center of notes G-A and displays a symmetric semi-tone (x) to each side, then an oppositive Major (M) and minor (m) to each side of the semi-tones (x), the Major / minor alternating symmetrically between the Scales (1), (3), (4) and (5).

Scale (2) is Newton's Scale of Colors of his prism experiments which displays symmetry meaning that from the center of notes G-A is a Major (M) and displays a semi-tone (x) to each side, then a symmetric Major (M) to each side of the symmetric semi-tones.

What I conclude is that an asymmetric Major / minor can be applied to the asymmetric electric / magnetic using Scales (1), (3), (4) and (5), while the symmetric Scale (2) can be applied to the symmetric gravity, as symmetric gravity is harmonically congruent with the symmetry of Scale (2).

OUTPUT OPTIONS:

4 asymmetric and 1 symmetric scales are applied to 5 windings, the 6th output can be of gravity, magnetism or electric.

DOUBLING THE COIL:

Build another coil exactly as the above coil. Since the ideal coil configuration of overlapping the 2 coils seems impossible, the frequencies will replace the coil configuration as a means to manipulate the interaction of the 2 coils. Place the coils next to each other but not touching.

TEST CONFIGURATION AND EXPECTED RESULTS:

Use the two gravity, magnetic or electric outputs against each other.
(Note: Can expect higher scalar output).

Use asymmetric scale ratios into the input of both toroids.
(Note: Can expect pulsing of the output).

Use symmetric scale ratios into the inputs of both toroids.
(Note: Can expect higher symmetric output).

Use phi and phi's harmonic ratios into the input of both toroids.
(Note: Can expect levitation, superluminal light).

Alternate phi and phi's harmonic ratios into the input of both toroids.
(Note: Can expect levitation, superluminal light and 1/2 wave pulsing).

Alternate phi and asymmetric harmonic ratios into the input of both toroids.
(Note: Can expect control of the gravitic).

Alternate phi and symmetric harmonic ratios into the input of both toroids.
(Note: Can expect pumping as in PPCM experiments).

Alternate phi, asymmetric and symmetric harmonic ratios into the input of both toroids.
(Note: Can expect pumping, control of gravity, electricity or magnetism).

Alternate symmetric and asymmetric scale ratios into the inputs of both toroids, of the gravity winding.
(Note: Can expect direct control of magnetism and electricity's phase and time components).

Alternate symmetric and asymmetric scale ratios into the inputs of both toroids, of the magnetic winding.
(Note: Can expect direct control of electricity's phase and time components).

Alternate symmetric and asymmetric scale ratios into the inputs of both toroids, of the electric winding.
(Note: Can expect altering of our dimensional reality).

Alternate symmetric into one toroid and asymmetric into the other toroid, of the gravity winding.
(Note: Can expect time change in the magnetic and electric fields).

Alternate symmetric into one toroid and asymmetric into the other toroid, of the magnetic winding.
(Note: Can expect time change in electric field).

Alternate symmetric into one toroid and asymmetric into the other toroid, of the electric winding.
(Note: Can expect time change in our dimensional reality).

__________________________________

Color and Musical Tone 

(Note: In 1870 there was a discussion as to the correspondences of color and musical tone. The following is that discussion as found in Nature February 10, 1870, taking up Newtons experiment, tones and scales):

..."I do not know how far Newton's measurements are correct; but I find that Professor Zannotti, of Naples, gives for the diameters of the rings from red to red the cube-roots of the numbers 1, 8/9, 5/6, 3/4, 2/3, 3/5, 9/16, 1/2

The intervals between these, taken successively, are 9/8, 16/15, 10/9, 9/8, 10/9,16/15, 9/8; that is- major-tone, semi-tone, minor- tone, major-tone, minor-tone, 1/2-tone, major-tone. Calling the major-tone M, the minor-tone m and the semi-tone x, for the sake of brevity. I will give the 5 different forms of which the musical scale is capable- expressed by the succession of intervals- and show that the above series of intervals is one of them:




.

D

^

E

^

F

^

G

^

A

^

B

^

C

^

D

Comments

(1)

.

m

.

x

.

M

.

m

.

M

.

x

.

M

.

Or Sintono

(2)

.

M

.

x

.

m

.

M

.

m

.

x

.

M

.

Or Newtons Scale
of Colors

(3)

.

M

.

x

.

M

.

m

.

M

.

x

.

m

.

.

(4)

.

m

.

x

.

M

.

M

.

m

.

x

.

M

.

.

(5)

.

M

.

x

.

m

.

M

.

M

.

x

.

m

.

.


Varieties depending upon the permutation of the quantities M, m and x. The 1st contains the imperfect fifth, DA; the 2nd two such fifths, EB and FC; the 3rd GD; the 4th A sub. 2, E sub. 2; and the 5th the imperfect fifth, C sub. 2, G,- all of course with their corresponding augmented fourths.

Thus, Newton's scale of color is one of a series of 5 scales of sound, all requiring a modification by a comma of one, or at the most two- fifths; but all are found of perfect major and minor tones and major semitones. If the correlation between color and sound exists, I think it will be found here. If this be admitted, the colors and notes corresponding are as follows:

D- Red
E- Orange
F- Yellow
G- Green
A- Blue
B- Indigo
C- Violet
D- Red

Impossible Correspondence Index

Copyright. Robert Grace. 2001 Restrictions on Use of The Conjugate Triple Heli-toroid Theory. You may not modify, copy, reproduce, republish, upload, post, transmit, publicly display, prepare derivative works based on ( including mathematical development), or distribute in any way any material from The Conjugate Triple Heli-toroid Theory, without prior express written permission from the owner of Impossible Correspondence.