99.79.1 The enneagram (Luigi) 

Page 79

Sections List- 99 Electrons and Mythologies
Impossible Correspondence Index

99.79.1 The enneagram (Luigi) 

From: luigi.di-martino@ntlworld.com
To: MetPhys@aol.com, CodeUFO
Subject: The enneagram
Date: 01/28/03

Hi Guys

Notice how in this enneagram the 142857 is linked separately to the 3 6 9. These numbers come up again and again, and quite often do not mix together, the 1 2 4 8 7 5 and the 3 6 9 that is. There is some neat stuff on this site and of course is linked to the number 9:

INNER LINES: The cyclic linkages between the six points in the sequence 142857 represent the understanding of the process taking part in the process itself. This is sometimes called the 'inner life' of the process, or its 'soul'.

The Enneagram

THE ENNEAGRAM = 111

1/7 = .142857

This equation is movements in thirds, 1/8 4/5 2/7. At this point the relationships swap over, 8/1 5/4 7/2. This can be seen if one repeats the equation:

142857142857

These are not only number sequence partners, but interval inversions too. The inversion of a 4th, for example, is a 5th.

The 3rd and the 6th are taken out, and together they equal 9, as do all inversions.

3x6x9 = 162
1x4x2x8x5x7 = 2240

1+6+2 = 9
2+2+4=8
9x8=72

2240 x 162 = 362880

3+6+2+8+8 =27

Lui

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From: josepht@tri-county.main.nc.us
To: luigi.di-martino@ntlworld.com
Subject: Re: 99.79.1 The enneagram (Luigi)
Date: 02/25/03

Lui -- I would point out that your 362880 in your line

<< 2240 x 162 = 362880 >> is also equal to 9 factorial.

also,

(10^6) / 7 = 142857.142857........
sq.rt.142857.142857........ = 377.9644731
377.9644731 ft. ~ Half width of the Great pyramid.

Joseph Turbeville

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From: luigi.di-martino@ntlworld.com
To: josepht@tri-county.main.nc.us
Subject: Re: 99.79.1 The enneagram (Luigi)
Date: 02/25/03

Hi Joe

Thank you for your valuable insight. I don't have that much of a clue regarding sacred geometry and, well, maths in general, so I am grateful for the correlations you provided. Pretty awesome really!

(10^6) / 7 = 142857.142857........

This equation looks so inviting! As well as inversions happening every three numbers either side of the dot I am imagining the inner 8 on the left to be partnered with the 1 at the beginning right of the dot. Then the 5 next to the 8 coupled with the 4 next to the 1. Then the 7 on the left with the 2 on the right. This would satisfy the number sequence partners ( another indig numbers representation). The same pattern of numbers repeat themselves with the inner 8 on the right coupled with the 1 on the far left etc. A strange symmetry really.

The 362880 equals 27, and then 9 yes. 27 to me is equal to one of the triangles of keys that exist in the mirror modes. There are two of these at a 45 (degree angle) of the mode box.

I remember that F# was associated with the Great pyramid and this would be quite relevant to the equations you sent.

Met and myself were messing around with powers of 10 the other day and these numbers may prove interesting. Thought I would pass them on:

**************************

Met,

If you can be bothered check out a few of these ongoing posts about 10^11. It goes on to ask the question "what is 6x9"?. I have always like the number 54 because it is the mirror of 45, and hotmail wouldn't let me register as mirrorman45!

Math Forum

Lui

Refer to 99.79.10 Exponent 10^11 and Cosmological Constant 10^40 (Luigi)  for the continued conversation.

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99.79.2 Iron (JoeDe) 

From: healthnow@bodyvibes.com
To: MetPhys@aol.com
Subject: Iron
Date: 01/29/03

On first site, scroll down to view relevance to iron as with musical note, of which I have corroborated on another chart as very close to A or A flat. at approx 54 - 108 Hz.

Second site, related to nanometers. Have fun.

Lambdoma Chakras
Nanometers

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99.79.3 BIASHI-TURA (She Who Watches) 

From: ehcnald@yahoo.com
To: MetPhys@aol.com
Subject: BIASHI-TURA
Date: 01/29/03

BIASHI-TURA     E = (q) (p) if; ME = psi 4 inversions = L2

My music goes with you for cure of humanity's wrong. To invert the affront when you fail to sing my song. And when you fail to strike the harmonic or rhyme the words I will sing it for you as I paint the pictures which can't be heard.

The script codes on the surface are in line and motion with time. The spirals twist then unfold to form a line. These bands then differentiate the spectral color and Earth's gravity shows face in vibration of all her flowers.

Take a walk in these fields where circles form. Seek the root of the atoms which stray the norm. Levels of the esters in growth as enzymes catalyze, Amino acids build the molecules for the protein we synthesize.

Learn from the message inlaid how to genetically realign, growth of the plant and man are intertwined. Primal DNA is gift of Mother Earth no man can claim. All memory of time in soil or script in stone are here ingrained.

Man's sight to enable the brains' circuitry recognition, a stimulus for our thought's cognitive revelations. Messages on Earth's canvas guide us in times of need. Historical repetition of linguistics mankind must heed.

Renditions by an unknown artist paint of Love "a lost memory" now past, a forgotten language in the shadows time has outcast. Secrets lie in the tractor lines of the farmer, he who lies in all of us, that we might steer for directive towards the curves which meet lifes circumference. A parallel duality knows of inertial thresholds where inversion of the kinetic releases the potentials. The angle for time is four cubed concealed in Pythagorean analysis, for as it spirals it meets linear light now in shadows of darkness.

Earth's mass must reciprocate unto lights energy demand, the black of night absorbs in silence the need of reprimand. Empty spaces hold contained rest energies where diffraction of the light bends time for gravity to appease.

Weights with greater force will shift the ballast mislaid, lines perpendicular meet the curves in degree of the Isosceles delay. Four inversions in lifes circle build a complex frame, convex surfaces turn the image round the other way.

Internal chambers where the concave inversion is confront should turn an upside down picture upright but it does not. In angle of the genetic prismatic profile reflect through the ocular aqueous membrane, lies cloaked the true reflection in the skulls refractory index' claim.

The brains encapsulating mechanism found mutant angles of degree, the internal vorticity is apathetic where nine tenths found atrophy. Should the mandible align at ninty degrees and the soft palate 45 degrees to project, light would re-fuse and diffuse the stimulus for the circuitry of memories neglect.

Linear light will strike the brain's internal point of origin and ignite, the circuitry in breach of the horizontal septum and bring the left to know the right. Perfusing now these long forgotten links to thought in mind, awakens simplicity to the complex reason without rhyme.

Checker Board of Light (Slow Loading JPG)

Stability for momentum found an axis at a forty five degree left shift. Heavy metals to contain kinetic energy and the potential cannot lift. Take a ninety degree angle and lay it on a line and a convex curve. The geometric design signifies what the Egyptian long ago learned. Now take the line and concave curve and the image will proclaim; a square inside the circles as seen during the Mayan reign.

As the circles spin upside down energy is absorbed and conducted through crystals of appetite, and the vertical climb of the cord feeds the stem perfusing the brain with vibrations for sight. The index within the skull creates the picture to reflect what is inside from out, as does the line camera to project the bands of color giving darkness clout.

Take the right angle and face the point on a line, you will see the image of the cross and four quadrants where the circle spirals in time. Our language documents these shadows or deficit in light during era of man's error of an ignorance sublime.

Pragmatic man conceals in scripture the degree of deficit in characters who breach the line. Interference portrayed as a fractal through time. In distortion of the simplistic whole our language is the aberrant foci of which man expresses to play the role.

Our brain is the Tower of Babel hemispheres barred of this vertical divide, this septum should traverse the temporal region putting them side by side. As the stem feeds the brain and the energy is bled through the eyes, now shadows will exist as the mass and energy find the cat in the box to equal psi.

Crop Circles to feed the farmer whose soul lies in all of us........and their message to tend the Earth or she will turn to dust. Let go the minds complex and distorted creation, Mandlebrot's root is simplistic symbol of the spirits procreation.

Stability is founded at the ninty degree angle of a cross, then lost momentum of 60 degrees during the lateral pole shift and the tetrahedral loss. 120 degrees of the Isosceles triangle offers us multiples of 30 degrees as opposed to obstruction of 45 degrees left creating an oblique angle.

Tetrahedral formation and the Isosceles should not overlay.......therein man finds death to be covered in his grave. Equilibrium will resurrect matter after it reaches full decay, photosynthesis is key to rebuild and shown in symbols at Newgrange.

A healing center to balance the energy from the sun, physiologic revival so the heart can't go wrong. To heal the earth is to free the mind, absorb the sun to reach height of our climb.

Evolutionary ladders sing a song of mutant codes. Evolution without time is song only time's past knows. My song did not go with you and you failed to sing the legends which spiral and twist in time, so the Earth will sing for you now and the music of the primal DNA can unwind.

The Japanese sing of Takashi, the tiny saplings who bend in the wind, Revelations sings for the tribe in root of David and the one to loose the seven seals, "Behold, Fear not" the elders saith. NOW THE EARTH SINGS THE SONG WHOSE HARMONIC IS FOR THE COSMIC RACE, THEREIN IS SO DEFINED THE MUSIC HUMANITY'S IMPRINT COULD NOT ERASE.

Man has forgotten the healing power of the wind nor is he to reason taking notice as she in anger gusts to lift the things of his creation. We do not understand her language, though she speaks in tongue to mend. We believe it is our power to control and that nature has no say. No longer do we hear the sweet vibration as she ruffles the trees or gives flight to the birds and their song. We take for granted these things, not to question where they come from. All around us life is thriving and dependent on us. We need to see the things we do, for if not, then these winds of time shall blow our ash away.

she who.........

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99.79.4 82944 and Pyramidal Volumne (Jerryiuliano) 

From: Jerryiuliano@aol.com
To: MetPhys@aol.com
Subject: 82944 and Pyramidal Volumne
Date: 02/02/03

MP:

What happens if one makes the volumne of the Cheops ratio pyramid equal to 288 units? The Fermat form ... e^ ( Pi +8)....is created:

763.81 * 1000 / [ e ^ ( Pi + 8 + (8/82944))] = 11.07162182 = bl

486.256 * 1000 / [ e ^ ( Pi + 8 + (8/82944))] = 7.048405415 = ht

Where volumne formula = (bl^2) * ht / 3

substituting converted (Churchward/Ramsey values..486.256 and 763.81):

(11.07162182 ^ 2) * 7.048405415 / 3 = 287.9997477

Churchward/Ramsey (1910)....
http://www.charm.net/~ces/trade/tback.html
height ....= 486.256 English feet
base leg = 763.81 English feet

J.Iuliano

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99.79.5 Fine-structure as Metrology Link (Jerryiuliano) 

From: Jerryiuliano@aol.com
To: MetPhys@aol.com
Subject: Fine-structure as Metrology Link
Date: 02/04/03

AYG

One of the strangest mathematical holographic properties of the dimensionless value of the fine-structure constant...a(em) = 1/ 137.036.... is it's ability to transcend different geometric measuring systems. There are three different scaling systems to measure the angles of geometric forms: the GRADIENT..(100 = 360)..., the RADIAN...180/Pi... and the DEGREE..Sumerian; 360 degrees equals one circumference. The amazing thing is that the Eulerian identity...i ^ i...( the sqrt of negative one to the sqrt of negative one power) links these measuring forms:

Let 1/a(em) = inverse fine-structure constant = 137.036004346...
Let i ^ i = 1/ sqrt (e^Pi) = .207879576351...
10 = sqrt of gradient = sqrt 100
cos = measure in radians
COS = measure in degrees

....then it can be demonstrated:

[( cos 1/a(em)) ^ ( COS 1/ a(em))] / sqrt 100 = i ^ i = .20787957505

....or:

[( cos 137.036004346) ^ ( COS 137.036004346 )] / 10 = i ^ i =.20787957505

The value 137.036004346 is 99.9999971 % of the Stanford cesium experiment of the fine-structure constant (2001)...1/137.0360005...Since i^i = 1/ sqrt ( e^Pi ) , then unity (1) can be shown as:

[( cos 137.036004346 ) ^ ( COS 137.036004346 )] * (sqrt (e^Pi)) /10 = 1

The connection to the Sumerian 360 degrees as symbollicaly relating to the Hebrew/Leahy number constant 288, where 288 is viewed as the in-toto cosmic egg of the ZPE field , which is then fractured by alternating the power ratio of the Cheops constructs...ht/bl to bl/ht... with Leahy's "thinking NOW created 100" as the activator between alternating power functions:

Let Cheops height = ht = 486.258404 ft ...( Churchward / Ramsey = 486.256)
Let Cheops Base leg = bl = 763.81
288 = Sephira Malkuth = cosmic egg..Leahy = 82944 = triple logic cube

[[ 288 ^ ( ht/bl )] /100] ^ (bl/ht) = i ^ i

.....to show eqivalencies to the fine-structure form of the RADIAN to DEGREE bridge:

[( cos 1/a(em) ) ^ ( COS 1/a(em) )] / 10 = i ^ i = 288 / ( 100 ^ ( bl/ht ))

....to simplify the fine-structure form:

( cos 1/a(em) ) ^ ( COS 1/a(em) ) = 10* i ^ i = 288 / ( 10 ^ ( 2*bl/ht) )

....this equation shows the Cheops constructs ratio as logarithmic metrology units , that define the connection between the radian and Sumerian measure using the only dimensionless constant in Nature, the " light " constant, fine-structure. This means that fine-structure is the " germ of metrology " and this fact was known from ancient times, being that the Kabbalic Sephira Malkuth...288 sparks from un-broken vessels.. pre-void.. and the Sumerian standard of measure 60 * 6 = 360 existed in documents dating beyond 4500 B.C.. Cheops itself cannot be dated, it just exists!!......existing as the measuring device.( a thing to be measured from). Where does 288 come from? It is the total symbolic sum of all the chaoticness that can exist as infinite energy, (analogous to infinite integers ). Just as the integer 37 can " organize " all natural numbers into 37 distinct decimal 3-peat patterns; Beta (.37) the anomalous second order phase transition temperature constant "organizes" the chaotic infinite energy of the cosmic egg (288), again Feigenbaum (F) is the form of the " release " structure, while Cheops is the measuring device:

Let ht = height Cheops pyramid = 486.256004421 ft
Let bl = base leg Cheops pyramid = 763.81 ft
Let a(em) =fine-structure constant =1/137.035999701..(1998 NIST = 137.0359997)

UNITY equation:

[[ ( .37 ^2 ) / a(em) ] ^ ( 2* bl / ht ) ] /10000 = 1

...which can be restated:

10 ^ ( 2* ht/bl) = ( .37 ^ 2) / a(em)

...since Feigenbaum is the " extracting " device of the chaotic infinite energy realm ( 288 = cosmic egg ) by an exact angle turn ( tan in radians) which means by fracturing the " egg " with an angle turn exactly equal to, tan F , creates the second factor of the egg, Leahy's " thinking Now created 100 " to the pi-th power:

Let F = Feigenbaum constant = 4.6692043132..( actual = 4.669201609...)

THE COSMIC EGG: Sephira Malkuth ...288 sparks

[ ( tan F ) ^ (-1/2) ] * ( 10 ^ Pi ) = 288.0000001

...to expand to the collective unconscious form:

THE COSMIC EGG : collective unconscious ...82944:

(( tan F ) ^ -1) * ( 100 ^ Pi ) = 82944.00006

...which translates to the Eulerian identity :

i ^ i = 288 ^ ( 100 ^ ( bl/ht ) )....ht = 486.258404...bl = 763.81

J.Iuliano

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99.79.6 Quarks - Collective unconscious (Jerryiuliano) 

From: Jerryiuliano@aol.com
To: MetPhys@aol.com
Subject: Quarks - Collective unconscious
Date: 02/11/03

MP:

If the unconscious mind is to have an interface with the primitive energies at the edge of reality..quarks... then it must be expressible in a mathematical formula relationship. This primordial equation exists as an energy decay function:

Let "collective unconscious" constant = 144/37 = 3.891891891...

Then the product of all quark energies is the log e base of the collective unconscious constant ...e = natural log = 2.718281828... IN 2.718281828 = 1

IN [ 10 ^ [ 144/37 / (32^2) ]] = 5.2 * 1.6 * .0074007124251 * 189 * .16 * .0047

....or:

IN [ 10^ [ 144/37 / (32^2) ]] = Bottom * Charm * Down * Top * Strange * Up

Leahy's triple logic ( 82944 surface area ) geometrically interfaces reality at this primitive level, using the Hebrew Kabbala " 32 paths of wisdom" as energy to mind conduits; which are continually being energized (squared) as continuous replacements of the decaying transition....e^ (energies).

10^( 82944/37/18/(32^3)) = e ^ ( 5.2 * 1.6 * .0074007124254 * 189 * .16 * .0047)

Note the next level of paths (32^2) which is just energy leveled " up " , that is 32 is the rest state, 32 squared is the energized state , and 32 cubed is the placement of the energized state to reality. The interpretation is that the collective unconscious is the decay product of Natures most primitive energies ..the six quark values:

10 ^ (82944/666/(32^3)) = e ^ ( Bottom*Charm*Down*Top*Strange*Up)

The strange thing about the energy decay equation is how close it is to the fine-structure constant form equation that I sent to prof. Leahy in Feb. 1999:

(10^(82943.9930846/666/32)) / 666 = sqrt 1/a(em) =11.7062377

That is by increasing the "paths" to 3-dimensions ...32 to (32^3)...and eliminating one of the collective unconscious constants (37*18 = 666) the form decays to the product of primitive quark energies...this being discovered 2-2-03.. Since 10^ ((82944/666/(32^3)) is the decay form of of the fine-structure constant, then the fine-structure origins out of the decay form of the products of quark energies:

666 / [ 10 ^ [[ log ( e^ (B*C*D*T*S*U)) ] * (32^2) ]] = sqrt a(em)

D =down = .007400711813
a(em) = 1/137.036000986

J.Iuliano

....from the book by Brian Greene "The Elegant Universe" page 9 which goes on to talk about quarks...

Physicists have recognized a pattern among these particles, displayed in Table l.l. The matter particles neatly fall into three groups, which are often called families. Each family contains two of the quarks, an electron or one of it's cousins, and one of the neutrino species. The corresponding particle types across the three families have identical properties EXCEPT for their masses, which grows larger in each successive family. The upshot is that physicists have now probed the structure of matter to scales of about a billionth of a billionth meter and shown that everything encountered to date--whether it occurs naturally or is produced artificially with giant atom smashers-- consists of some combination of particles from these three families and their anti-matter partners.

A glance at Table l.l will no doubt leave you with an even stronger sense of bewilderment at the discovery of the muon. The arrangement into families at least gives some semblance of order, but innumerable "why's" leap to the fore. Why are there so many fundamental particles, especially when it seems the greater majority of things in the world around us only need electrons and up-quarks and down-quarks? Why are there three families?...Why do the particles have a seemingly random spread of masses? These are strange, seemingly random numbers. Did they occur by chance, by some divine choice, or is there a comprehensible scientific explanation for these fundamental features of our universe?...end quote

The number of masses in multiples of the proton from Greene's Table l.l

U = Up-quark = .0047 ...spin = +2/3
D = Down -quark = .0074 ...spin = -1/3
C = Charm-quark = 1.6...spin = + 2/3
S = Strange-quark = .16...spin = -1/3
T = Top-quark = 189... spin = + 2/3
B = Bottom quark = 5.2...spin = -1/3

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99.79.7 Quarks - Collective unconscious (MetPhys) 

From: MetPhys@aol.com
To: Jerryiuliano@aol.com
Subject: Quarks - Collective unconscious
Date: 02/11/03

In a message dated 2/11/3 2:38:01 AM, JerryIuliano writes:

<< A glance at Table l.l will no doubt leave you with an even stronger sense of bewilderment at the discovery of the muon. The arrangement into families at least gives some semblance of order, but innumerable "why's" leap to the fore. Why are there so many fundamental particles, especially when it seems the greater majority of things in the world around us only need electrons and up-quarks and down-quarks? Why are there three families?...Why do the particles have a seemingly random spread of masses? These are strange, seemingly random numbers. Did they occur by chance, by some divine choice, or is there a comprehensible scientific explanation for these fundamental features of our universe?...end quote >>

Perhaps there are so many fundamental particles because they are really frequencies. Perhaps there are three families because, as Keely pointed out, there are ratios 1:3:9 upon which both matter and music are built. Perhaps the particles have a random spread of masses because energy has mass and the measuring equipment is measuring energy. Perhaps the seemingly random numbers have a supersymmetry seeing that the planck constant is a composite of two other constants, the ratio of the two being Phi.

Met

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99.79.8 Re: Paper- The Road Less Traveled (PDF) (MetPhys) 

From: MetPhys@aol.com
To: Dragos 2112
Subject: Re: Paper- The Road Less Traveled (PDF)
Date: 02/17/03

DK Bailey
L.O.R.D. Associate &
Official Spokesman
The Royal Institute

The Road Less Traveled

I've perused the document, TheRoadLessTraveled. Although I recognize the content as highly developed and gematrically correct, my abilities to recognize general patterns is my only innate skill. Maths are a little more difficult for me and your document has taught me a few concepts I have never seen or noticed before.

Nevertheless, I always appreciate intelligent input to continue my education. At present, a group of us who have explored a thousand concepts together in Email Section 99 Electrons and Mythologies , are developing a Levitating Disc concept in the Forum. You are invited to post in the Forum, on the Homepage, if you find anything interesting to add or comment on.

And I will post your document in the Email Section with your name, Title and email address so others will know who you are and where to find your document.

I pretty much terminated posting to the Email Section en masse because it has been going on for years now and editing all the email coming in is simply too much work. To replace that, I created the Forum.

Met

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99.79.9 Half Life and the Decay Constant (Iuliano) 

From: Iuliano@aol.com
To: MetPhys@aol.com
Subject: Half Life and the Decay Constant
Date: 02/18/03

MP:

The decay constant is large for radioactive materials that decay rapidly and small for those that decay slowly. The time half -life ...T(1/2)... and decay constant ....dc...are related. The relationship between them is :

T(1/2) = .69314718 / dc

the formula is derived from the exponential half life equation:

N = N(o) * (e^(-dc*t))

where N(o) = the original radioactive nuclei
where e = natural log = 2.718281828...
where dc = decay constant
where t= time = in seconds

N(o) / 2 = N(o) * (e^(-dc*T(1/2))

divide both sides by N(o) gives:

1/2 = e ^ (-dc*T(1/2))

taking the natural log of both sides of this equation eliminates the exponential factor on the right, since IN e = 1:

IN (1/2) = -dc*T(1/2)

since IN (1/2) = -.69314718

then:

T(1/2) = .69314718/dc....T(1/2) means time half-life

This formula for time to half-life is Cheops constructs derived :

Let height Cheops pyramid = ht = 486.256 ft
Let base leg Cheops pyramid = bl = 763.81 ft
Churchward/Ramsey 1910 expedition to the pyramids

...then it can be demonstrated:

time half life = (10^(-ht/4/bl)) / decay constant

IN (1/2) = .69314718

10 ^ (- ht / 4 / bl) = .693178743

The number of decay events per second was selected by Madam Curie as the original activity unit because it is the approximate activity of one gram of Radium. This unit of activity is the curie = Ci, defined as ,

1 (Ci) = 3.7 * (10^10) decay/seconds
1 decay/second = 1 bequerel

The Egyptian "light " deity is called ..Ra..(pronounced "ray") ...the sun god.... also having the same lettering as the atomic prefix for Radium which is Ra.

J.Iuliano

reference the book ..COLLEGE PHYSICS by Serway and Faughn...page 867...The Decay Constant and Half-Life.

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99.79.10 Exponent 10^11 and Cosmological Constant 10^40 (Luigi) 

From: luigi.di-martino@ntlworld.com
To: MetPhys@aol.com
Subject: Exponent 10^11 and Cosmological Constant 10^40
Date: 02/20/03

If you can be bothered check out a few of these ongoing posts about 10^11. It goes on to ask the question "what is 6x9"?. I have always like the number 54 because it is the mirror of 45, and hotmail wouldn't let me register as mirrorman45!

Math Forum

Lui

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99.79.11 Exponent 10^11 and Cosmological Constant 10^40 (MetPhys) 

From: MetPhys@aol.com
To: luigi.di-martino@ntlworld.com
Subject: Exponent 10^11 and Cosmological Constant 10^40
Date: 02/20/03

Cosmological Coincidences of 10^40

Similar events happen at 10^40 also. Divide 40 by 11 and we get 3.636363636364 Could this indicate a flipping between the Majors (3rds) and minors (6ths)? I believe the 11 and 40 exponent indicates musical nodes in logarithmic space (musical sinewaves superimposed).

Met

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99.79.12 Exponent 10^11 and Cosmological Constant 10^40 (Luigi) 

From: luigi.di-martino@ntlworld.com
To: MetPhys@aol.com
Subject: Exponent 10^11 and Cosmological Constant 10^40
Date: 02/20/03

Yes this coincides with an article I had published in the Vedic Maths newsletter last year. I noticed that all the nine number sequences could be found through division, and not only cycling any number or multiplication. For example, the 7 5 3 1 8 6 4 2 9 can be found by dividing by 4:

1/4 =0.25  2/4 =0.5  3/4 =0.75
4/4 =1  5/4 =1.25  6/4 =1.5
7/4 =1.75  8/4 =2  9/4 =2.25
10/4 =2.5  11/4 =2.75  12/4 =3

Notice that the sequence is rising when the numbers are divided (.25 - .5 etc), yet is falling when cycled or multiplied (7x1=7 - 7x2=14). Crazy stuff!

The numbers below are all like the musical inversions. The 090909 is continually added to the other results giving the impression of things moving by inversion. One can see that the 9 and 0 is responsible for everything.

1/11=0.090909  2/11=0.181818  3/11=0.272727
4/11=0.363636  5/11=0.454545  6/11=545454 etc

1/22=0.0454545  2/22=0.0909090  3/22=0.1363636 etc

Lui

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99.79.13 Exponent 10^11 and Cosmological Constant 10^40 (MetPhys) 

From: MetPhys@aol.com
To: luigi.di-martino@ntlworld.com
Subject: Exponent 10^11 and Cosmological Constant 10^40
Date: 02/20/03

In a message dated 2/21/3 12:37:10 AM, luigi.di-martino@ntlworld.com writes:

<< 1/11=0.090909  2/11=0.181818  3/11=0.272727 >>

<< 4/11=0.363636  5/11=0.454545  6/11=545454 etc >>

Soooo...what you might be telling me is that the relation of 4 to 11 or 4/11=0.363636 might be the same relation as 40/11 with one zero added? 4=40=400=4000=40000? All operate under the same principle of 9 so when we see 10^11 we can safely assume that its partner could be 10^-4, 10^4, 10^40, 10^400 etc?

Met

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99.79.14 Exponent 10^11 and Cosmological Constant 10^40 (Luigi) 

From: luigi.di-martino@ntlworld.com
To: MetPhys@aol.com
Subject: Exponent 10^11 and Cosmological Constant 10^40
Date: 02/20/03

Or perhaps the 7/11 is the inversion of the 4/11.
4/11 = .3636363636363
7/11 = .6363636363636

And together they equal 9 vertically and in pairs across. This would trace a zig zag or sine wave between the two divisions. 7+4 also equal 11. Then the 7/11 will become 70/11 as the 4/11 becomes the 40/11. Gosh it's fun!

Then there would be 8/11 = .727272727272
It's partner being 3/11.

9/11 = 8181818181818
Its partner is 2/11

What would result is that the inversions are centered between 5/11 and 6/11 and then move in opposite directions:

1/11  2/11  3/11   4/11  5/11  6/11  7/11  8/11  9/11  10\11

Time to hit that pillow!
lui

_______________________________

99.79.15 E=mc^2 and 10^40 (MetPhys) 

From: MetPhys@aol.com
To: luigi.di-martino@ntlworld.com
Subject: E=mc^2 and 10^40
Date: 02/23/03

God's Secret Formula by Peter Plichta

" Einstein's formula is usually quoted as follows: E = m * c * c. But it should actually be written as

E * E = (m * m) * (c * c * c * c)

If the value c = 3 x 10^10 cm/sec is inserted, the following appears:

(E * E) / (m * m) = 81 * 10^40 cm^4/sec^4
or
(m * m) / (E * E) = 0.012345679... * 10^-40 sec^4/cm^4 "

Met

_______________________________

99.79.16 Re: 99.79.1 The enneagram (Luigi) FreqWave/Alphabet Letters (CodeUFO) 

From: CodeUFO@aol.com
To: luigi.di-martino@ntlworld.com, josepht@tri-county.main.nc.us, MetPhys@aol.com
Subject: Re: 99.79.1 The enneagram (Luigi) FreqWave/Alphabet Letters
Date: 02/26/03

In a message dated 2/25/03 3:37:47 PM, luigi.di-martino@ntlworld.com writes:

<< Anyway, what I would really like to discover is at what frequency the letters of the alphabet operate. Finding this out would very much help tie them in to the mirroring of scales. >>

Hi Lui, Joe, Met,

In the above statement, how is the term "frequency" defined? You'll have to excuse my ignorance about this. I'm always a little confused on the concept of frequency. Are we talking about wave vibration? And if so, how would you suggest the manner in which letters might incorporate a wave function of any kind? Is there a manner in which this frequency could be measured in the same way as say, for example, we can measure the frequency of radio waves? Or are we talking about something completely different? Joe, being a physicist, do you have any thoughts on this?

When I find phrases such as
THE VIBRATIONAL FREQUENCY = 270

I only note that the words are common to this realm of research and the alphanumeric sum is a "9-number" (i.e. reduces to 9) and is a number that seems to come up frequently in sacred geometry and gematria. As for what the phrase might actually mean, if anything, I don't know. That's part of the puzzle. If the words/phrases mean anything, the meaning is not always precise or immediately apparent. However, in many cases such phrases and numbers seem to correlate with findings in work such as you're doing with music and with other pieces of the puzzle such as in the work of Met or Joe and others.

I suppose if there is, in fact, some "frequency" involved with the letters of the alphabet it must be directly related to the numerical equivalents of those letters in some way.

I've toyed with the idea that the alphabet as we know it in this 3-D reality may have a hyperdimensional counterpart; something we might think of as its archetypal component. Perhaps we should think of our alphabet, as we know it in this 3-D reality, as an analog of it's hyperdimensional counterpart.

HYPERDIMENSIONAL ALPHABET = 252
In Lui's Mirror Sequence Table, 252 mirrors 243 = A LETTER NUMBER SEQUENCE

The sum of the entire AlphaNumber Table (see PDF file attached) is
522; a rearrangement of the numbers in 252.

Alpha Number Table (PDF)

522 - 252 = 270 = THE VIBRATIONAL FREQUENCY

But what could this mean? (That's always the question!) Could it mean 270 has some meaning related to the difference between the 3 dimensional alphabet and the hyperdimensional alphabet? Check this out:

THE VIBRATIONAL FREQUENCY DIFFERENCE BETWEEN DIMENSIONS = 540

Now that's really an amazing "coincidence" when you consider 540/2 = 270!

THREE DIMENSIONAL = 171
NINTH DIMENSIONAL = 180 = MIRROR SEQUENCE
171 + 180 = 351, the sum of the alphanumeric values of the 26 letters!

I suppose when we speak of hyperdimensional, we're talking about a range of dimensions. So in order to get specific it would be important to know in which dimension (whatever that really means) our hypothesized "Hyperdimensional alphabet archetype" resides. According to the above alphanumerics, we could surmise the answer to that question is the 9th dimension.

There is some internal logic here, since we can see Lui's Mirror
Sequence Table operates on a 0-9 axis and...
NINTH DIMENSIONAL = 180 = HARMONIC LETTERS = MIRROR SEQUENCE.

In fact I just noticed the obvious:
NINTH DIMENSIONAL MIRROR SEQUENCE = 360 =
NINTH DIMENSIONAL HARMONIC LETTERS

EIGHTEENTH DIMENSIONAL = 216
EIGHTEENTH DIMENSIONAL MIRROR SEQUENCE = 396 =
EIGHTEENTH DIMENSIONAL HARMONIC LETTERS

TWENTY SEVENTH DIMENSIONAL = 315
TWENTY SEVENTH DIMENSIONAL MIRROR SEQUENCE = 495 =
TWENTY SEVENTH DIMENSIONAL HARMONIC LETTERS

That's where it stops. THIRTY SIXTH DIMENSIONAL... didn't result in a "9" number.
I did notice, however, THIRTY SIXTH = 180

Never the less, this may make sense. Only these three "dimensions", I mean. Here's what they give us:
9 + 18 + 27 = 54 = TONE

THREE TONAL DIMENSION = 225, mirror image of 522 (sum of AlphaNumber Table)

Whoops, just found one more:
EIGHTY FIRST DIMENSIONAL = 261
EIGHTY FIRST DIMENSIONAL MIRROR SEQUENCE = 441 =
EIGHTY FIRST DIMENSIONAL HARMONIC LETTERS

But I might suggest the 81st is something akin to an "octave" (in some sense) of the 9th even though the numbers from the 81st don't work out as doubles of the 9th. I don't know. I'd have to think about how this 81st fits the pattern, or breaks the pattern, as the case may be. Going back and seeing 360 for the 9th and 441 for the 81st, I did notice 441 + 360 = 801, perhaps reflecting the 81. But let's move on. There are some more intriguing things to see...

HARMONIC NUMBER LETTER = 234 (Mirror Sequence number 225)
HARMONIC NUMBER SEQUENCE = 243 (Mirror Sequence number 234)

THE VIBRATIONAL FREQUENCY OF THE LETTERS = 423

(What would be the Mirror Sequence number of 423?)

Maybe the answer to your question, Lui, is that the letters operate on a frequency of 423, whatever that might mean. Or maybe a frequency of 9?

THE VIBRATIONAL FREQUENCY OF NINE = 333

(333 + 423 = 756, base width of Great Pyramid in English feet.)

Would 333 be a "subharmonic" (whatever that might mean) of 423?
423 - 333 = 90

SUB = 42 = FIVE = NINE
SUBHARMONIC = 123 = SACRED TONES = SIX TRIADS

SUBHARMONIC FREQUENCY OF NINE = 300 = THE GOLDEN MEAN SPIRAL IS THE KEY
SUBHARMONIC FREQUENCY OF FOUR TWO THREE = 432

Referring back to THE VIBRATIONAL FREQUENCY OF NINE = 333, we need to remember that NINE and FIVE share the same alphanumeric value of 42. So we'd have the same result with FIVE:

THE VIBRATIONAL FREQUENCY OF FIVE = 333

This NINE-FIVE problem has confounded me several times, making me wonder which one is the right one in any given case. I've pretty much settled on just going with the "NINE" simply because "9" seems to be the key number underlying so many things in so many different areas of this bigger picture.

I suppose, if there is anything to this alphanumerics stuff at all, then there must be some as-yet-undiscovered reason why NINE and FIVE share the same value. It may have something to do with the fact that 9 x 5 = 45. As we've discussed in previous emails, 4 and 5 mark the center point in the sequence of 0 through 9. Check out what we find on either side of the FOUR and FIVE:

ZERO+ONE+TWO+THREE = 212
SIX+SEVEN+EIGHT+NINE = 208
212 + 208 = 420, decimal harmonic of 42, the alphanumeric value of FIVE

Of course this leaves out the FOUR. But does it? 4+2=6, decimal harmonic of 60, which is the alphanumeric value of FOUR.

So we see there is an intimate interconnection between 4, 5, and 9, even (and especially) with their "alphanumber" counterparts, FOUR, FIVE, and NINE. These are the only alphanumbers which are comprised of 4 letters each and their combined alphanumeric value is 144. They share this combined alphanumeric value with the 3-letter set of ONE, TWO, SIX (again, see PDF file attached for details).

459 - 126 = 333 = THE VIBRATIONAL FREQUENCY OF NINE = THE VIBRATIONAL FREQUENCY OF FIVE

And further, as noted in the previous post, FORTY FIVE = 126 = FIFTY FOUR
Note the 126 analog of ONE TWO SIX even in this equation.

There seems to be no doubt about it. These numbers seem to have some fundamental underlying connection running between them. The combination of music and alphabet seems to be a song in harmony.

MUSIC = 65 = ALPHABET = NINTH

THE SONG OF THE ALPHABET = 207
THE ALPHABET SONG = 153, mirror of 351, the sum of A through Z.

207 + 153 = 360 = NINTH DIMENSIONAL MIRROR SEQUENCE

NUMBER IS THE LANGUAGE OF MUSIC = 288 = (144 x 2 )

THE ALPHANUMBER = 144

ALPHANUMBER = 111 (Mirror Sequence number 114 = FREQUENCY)

MUSIC IS NUMBERS IN HARMONIC SEQUENCE = 378
378 x 2 = 756, base width of Great Pyramid in English feet.

378 / 9 = 42 = FIVE = NINE

HARMONIC SYMPHONY = 216

THE NINTH KEY = 139 = ENGLISH ALPHABET

The question came to me... If all of this is, in fact, indication of a deep relationship between music and the alphabet and Lui's question about frequency, then it must be pointing to a significant relationship to human beings. Then I found this:

FREQUENCY = 114 = OVERTONES = BRAIN WAVES

Now we may be getting somewhere.

BRAIN WAVE PATTERN = 189 = THREE OVERTONES = THE TONE IS THE KEY

THREE HARMONIC OVERTONES = 270 = THE VIBRATIONAL FREQUENCY
THE VIBRATIONAL FREQUENCY OF THE THREE HARMONIC OVERTONES = 594
FIVE NINE FOUR = 144
ONE HUNDRED FORTY FOUR = 252 = HYPERDIMENSIONAL ALPHABET
HYPERDIMENSIONAL BRAIN = 231
THE FREQUENCY WAVE = 198 = THE GOLDEN MEAN SPIRAL

Intuition suggests the golden mean spiral may hold an answer to Lui's question. Is there any discussion anywhere on the net about frequency waves with relation to the golden mean spiral?

My hyperdimensional brain is fried. Gotta go get some harmonic sleep. Carry on gentlemen.

-Gary-

_______________________________

99.79.17 Re: 99.79.1 The enneagram (Luigi) FreqWave/Golden Mean Spiral (MetPhys) 

From: MetPhys@aol.com
To: CodeUFO@aol.com, luigi.di-martino@ntlworld.com, josepht@tri-county.main.nc.us
Subject: Re: 99.79.1 The enneagram (Luigi) FreqWave/Golden Mean Spiral
Date: 02/26/03

In a message dated 2/26/3 1:03:18 PM, Code UFO writes:

<< Is there any discussion anywhere on the net about frequency waves with relation to the golden mean spiral? >>

Hi,

I've been waiting for you.......
I'm glad you asked that....because there certainly is...
Let me get a list together here:

Models of Inter-key Relations upon a Torus (golden mean spiraling)
This torus is the same construct upon which hebrew letters are deduced.

The Toroidal shape of tonal space

The Fibonacci Series and Music

Met

_______________________________

99.79.18 Re: 99.79.1 The enneagram (Luigi) Frequency Defined (Joe) 

From: josepht@tri-county.main.nc.us
To: CodeUFO@aol.com, luigi.di-martino@ntlworld.com, MetPhys@aol.com
Subject: Re: 99.79.1 The enneagram (Luigi) Frequency Defined
Date: 02/26/03

Gary you said,

<< how is the term "frequency" defined? You'll have to excuse my ignorance about this. I'm always a little confused on the concept of frequency. Are we talking about wave vibration? >>

frequency (f) is defined as oscillations per unit time or ( rhythmic repitions per unit time)

e.g. hertz = cycle /sec. , kilohertz = 1000 cycle/sec., rps = revolutions/sec. , RPM = revolutions/minute,

also note: period (T) is the reciprocal of frequency (f) i.e. T= 1/f or f = 1/T

you said, << When I find phrases such as THE VIBRATIONAL FREQUENCY = 270 ..... >>

Unless otherwise stated this would be taken to mean 270 hertz or 270 cycles/sec. If this is meant as distance per unit time, i.e. 270 mile/hr., then it is what is called a derived unit. i.e. Speed.

you said,
<< THE VIBRATIONAL FREQUENCY DIFFERENCE BETWEEN DIMENSIONS = 450

Now that's really an amazing "coincidence" when you consider 450/2 = 270! >>

(Note: Of course, 450 should be 540. MetPhys).

Check your math ( in red) --- This may change some of what follows. -- :>(

Friend Joe Turbeville

_______________________________

99.79.19 Re: 99.79.1 The enneagram (Luigi) Frequency Defined (MetPhys) 

From: MetPhys@aol.com
To: CodeUFO@aol.com, luigi.di-martino@ntlworld.com, josepht@tri-county.main.nc.us
Subject: Re: 99.79.1 The enneagram (Luigi) Frequency Defined
Date: 02/26/03

Gary you said,

<< how is the term "frequency" defined? You'll have to excuse my ignorance about this. I'm always a little confused on the concept of frequency. Are we talking about wave vibration? >>

DK Baily says that the Ancients assigned "orders of magnitude" to the number columns, so this has to be taken into account to understand what these gematric numbers really mean when we try to assign frequency to them:

From New Math, New Understanding

<< The X factor in dealing with these numbers is the combination of their meaning and column placement. This is shown in our basic number system by a count from 1 to 10. This is considered a full circle count or completion that we loosely call unity, but proves to be only a column change. 9!=362880 and 10!=3628800 Note the additional 0. There may be more examples of this, but so far they have not been found. >>

<< 1) Physical reality, the first column; 2) Ethereal reality base, beyond physical reality but based from reality; 3) Spiritual reality, non-reality based, but able to affect reality. Numerically these are stated as our own number system in terms of placements. As 000 you have one's, ten's, and hundred's. Each column can have any size number within it. When a meaning or application changes so does the column. The number 432= reality, 4320= Ethereal reality, and 43200= the spiritual reality. These have been mathematically proven so far to be accurate as the ancients used them.

DK Baily >>

Met

_______________________________

99.79.20 Quark measuring systems link (Jerryiuliano) 

From: Jerryiuliano@aol.com
To: MetPhys@aol.com
Subject: Quark measuring systems link
Date: 03/11/03

MP:

Concerning the equation that links quark masses to the fine-structure constant..a(em).. through the radius...037 pn.. of the hydrogen ground state atom:

B * S * D / .037 T / C / U = sqrt 1/a(em) = sqrt 137.036000986

I have been using data from Brian Greene's book," The Elegant Universe " , page 9, which gives the quark values in proton masses...pm as :

B = Bottom = 5.2 pm
S = Strange = 1.6 pm
D = Down = .0074 pm...(used in formula D = .007399040096 pm )
T = Top = 189 pm
C = Charm = .16 pm
U = Up = .0047 pm

However in the May 2003 ,special addition of Scientific American magazine in an article called, " The Assymetry between Matter and Anti-Matter " , page 63, the quark values are given in Gev/(c^2) as:

b = bottom = 4.3 Gev/(c^2)
s = strange = .14 Gev/(c^2)
d = down = .06 Gev/(c^2)....(used in formula .060027189)
t = top = 174 Gev/(c^2)
c = charm = 1.3 Gev/(c^2)
u = up = .03 Gev/(c^2)

Now when I plugged in the new values into the hydrogen radius form:

4.3 * .14 * .060027189 / .037 / 174 / 1.3 / .03 = .143922574...????

What is this ? Something different...Nothing matches...What is going on ? Which data is correct?......I discovered the solution to this mystery...the fine-structure constant...a(em)....ACTS as a bridge function between separate light squared...c^2... measuring systems:

100 / (( B * S *D / .037 / T / C / U ) ^ 4 ) * t * c * u / b / s / d = unity = 1

...which can be product simplified to:

100 * (( T * C * U * .037 / B / S / D ) ^ 4 ) * t * c * u / b / s / d = unity = 1

This equation binds the two measuring systems into a unity...(proton masses..pm; and energy...Gev/(c^2)...which means light squared is the transformation constant !!!

The equivalent equations can be demonstrated as:

( T * C * U * .037 / B / S / D ) ^ 4 = a(em) ^2 = 5.325135304 * (10^-5)
b * s *d / 100 / t / c / u = a(em) ^2 = 5.325135246 * (10^-5)

This is a very strange equation relationship...these equations should NOT be equivalent this way, but they are equivalent !!...alchemy...what is the hydrogen radius doing being absorbed by prof. Leahy's concept of "thinking NOW, created 100" as a function of light squared,squared ???

J.Iuliano

Page 79

Sections List- 99 Electrons and Mythologies
Impossible Correspondence Index

Copyright. Robert Grace. 2003