99.32.1 Light, Sound, Tone, etc. (Gary Val Tenuta) 

Page 32

Sections List- 99 Electrons and Mythologies
Impossible Correspondence Index

Subj: Light, Sound, Tone, etc.
Date: 08/05/2001
From: (Gary Val Tenuta)
Email: CodeUFO@aol.com

(Note: To understand AlphaNumerics, here is an example: Words in CAPITALS such as "SPEED OF LIGHT", have a numeric value based upon A = 1, B = 2, etc. with the understanding that 11, 22, 33, etc., is usually left alone, but here 1 + 1 = 2, etc. Converting each letter to a number, then cross-adding each number (left to right) gives the statement "SPEED OF LIGHT = 216". These rules can be applied to ANY WORD.)

From my archived notes:

TONE = 54
LIGHT = 56
SOUND = 73
Pi = 25

FREQUENCY IS THE KEY = 216

There are 21600 minutes of arc in 360 degrees.
Two times 216 is numerically equal to the square of the speed of light in miles per second. That is, 2 x 216 = 432 (mirror of 234) = sq.rt. of 186,624 (0.18% error).

SPEED OF LIGHT=126

126+54=180 (half 360)
180+54 = 234 = THE GREAT PYRAMID OF GIZA

SPEED OF LIGHT=126

Cathie Light Speed: 162,000 and 144,000
126 + 162 = 288 (classic "double light" gematria)
288 / 2 =144

144 + 126 = 270 = the sum of the AlphaNumeric Values (ANV) of the names of the three pyramids, also the sum of the ANVs of NORTH+SOUTH+EAST+WEST.

360-126 = 234 = THE GREAT PYRAMID OF GIZA

234/12 =19.5 (Re: Hoagland's tetrahedral geometry)

360/25 = 14.4

_______________________________

THE NUMBER OF THE SOUND IS = 261
THE THREE TONES = 162 (mirror of 261)

162 is the note, E, on Jimi Furia's Music Wheel.

162 / 3 = 54 = TONE!!!
FIFTY FOUR = 126

126 + 54 = 180, half of 360

Here's some data based on Jimi's Wheel. Just some more stuff to tuck away for some rainy day crunching:

Clockwise around the Wheel:

(There are only 3 notes... (THE THREE TONES=162) ...which consistantly generate a CPS (Cycles Per Second) which is reducable to 9. They are A, D, E.

The cps of the note "A", in each position, divided by 3:

432 / 3 = 144 cps = D
864 / 3 = 288 cps = D
1728 / 3 = 576 cps = D
3456 / 3 = 1152 cps = D
54 / 3 = 18 cps = D?
108 / 3 = 36 cps = D?
216 / 3 = 72 cps = D

The cps of the note "D", in each position, divided by 3:

576 / 3 = 192 cps = G
1152 / 3 = 384 cps = G
2304 / 3 = 768 cps = G
4608 / 3 = 1536 cps = G
72 / 3 = 24 cps = G?
144 / 3 = 48 cps = G
288 / 3 = 96 cps = G

The cps of the note "E", in each position, divided by 3:

468 / 3 = 216 cps = A
1296 / 3 = 432 cps = A
2592 / 3 = 864 cps = A
40.5 / 3 = 13.5 cps = A?
81 / 3 = 27 cps = A?
162 / 3 = 54 cps = A
324 / 3 = 108 cps = A

_______________________________

162 is the note, E, on Jimi's Wheel.

162 / 3 = 54 = TONE
FIFTY FOUR = 126
126 + 54 = 180
Half a circle is 180 deg.
HALF=27
HALF + HALF = 54 = TONE

Half of 126 = 63 = YHVH (Y = 25 = 7, H = 8, V = 22 = 4, H = 8, sum of reduced values = 27)
ONE TWO SIX = 144
126 + 144 = 270

THE VIBRATIONAL FREQUENCY = 270
Half of 54 is 27 (harmonic 270)
CHEOPS (66) + CHEPHREN (77) + MYCERINUS (127) = 270
NORTH (75) + SOUTH (83) + EAST(45) + WEST(67) = 270

180 + 54 = 234 = THE GREAT PYRAMID OF GIZA, and the reverse of 432

432 + 234 = 666
432 - 234 = 198 = THE RESURRECTION ("Levitation"? The stone was "mysteriously" moved from the opening of the tomb!)

On Jimi's Music Wheel there are only 3 notes which consistantly generate a CPS which is reducable to 9. They are A, D, E. This is 1, 4, 5. The intervals of a chord progression often known as the standard blues progression.

There is one other note, the 7th or G, which figures in nicely. It is the only one on the wheel which consistantly generates a CPS reducable to either 6 or 3; it fluctuates around the wheel. Going clockwise, the sum of its CPS values are:

21(3), 15(6), 12(3), 12(3), 15(6), 12(3), 15(6). When the 7th is applied to the "1-chord" in the 1, 4, 5 progression it is often referred to as a "transition" to the next chord, usually the "4-chord". It's a cool sound. It's always fascinated me how it somehow produces a sound which creates a feeling of anticipation in the listener. It's like teetering on the edge of a fence just before making it to the other side. In an "A" progression, "G" is the transition to "D".

Interestingly, the notes E,A,D,G are the names of the last 4 strings on a guitar.

_______________________________

The Sarsen Circle is composed of 30 uprights.
162/30 = 5.4, dec. harmonic of 54=TONE

Half of 54 is 27 = HALF

When the English alphabet is folded in half so that A meets Z, B meets Y, and so on... each of those 2-letter combinations equals 27.

Half of 27 is 13.5, decimal harmonic of 135
ENGLISH + ROMAN = 135 = HEBREW + ENGLISH
ENGLISH+ROMAN+HEBREW+ENGLISH = 270

And this... Michael Morton wrote:

"270 / 15 =18 .... the number whose SINE is precisely HALF the RECIPROCAL of The Golden Section ... SIN 18 = 0.309016994 = (1 / 1.618033989) / 2 = 0.618033989 / 2."

By the way, I like the idea of "A" at 432cps if for no other reason than the shape of "A" is like a pyramid. Pretty cool.

_______________________________

TONES = 73
STONE = 73
SOUND = 73
NUMBER = 73
THE MIND = 73

Halving Stonehenge:

STONE = 73 = 10 = 1
HENGE = 39 = 12 = 3
1/3 = .33333333
39 x 3 =117 = THE COSMOS = THE CUBE OF LIFE = FLESH AND BLOOD =
EA NINHURSAG = FALSE MESSIAH = THE FALLEN ONE = THE NAZARENE =
THE SAVIOR = THE NINE FISH = SPIRAL FISH = NINE SPIRAL
39 x 6 = 234 = THE GREAT PYRAMID OF GIZA
39 x 9 = 351 = sum of alphanumeric values of the 26 letters of the alphabet.

Michael wrote:

"the SINE of the Tetrahedral Latitude (Hoagland) ...
SIN 19.47122061 = 0.333333333"

Also note,
432 / 3 =144 = THE GOD OF ISRAEL and NINE IS THE KEY

Also, regarding 73 and 39:

73....
SEVEN = 65 = 11 = 2
THREE = 56 = 11 = 2
22 is the number of letters in the Hebrew alphabet.

39.... (Note: 19.5 x 2 = 39, G.V.Tenuta.)
THREE = 56 = 11 = 2
NINE = 42 = 6
26 is the number of letters in the English alphabet.

Regarding the number 432...
Recall from my previous post:
THE TONE RAISES THE STONE = 264
THE TONES RAISE THE STONE = 264

Here's the synch between 432 and 264....

The reduced ANV's of the alphaforms of the individual digits in 432 are the same three digits which comprise the number 264:

FOUR = 60 = 6
THREE = 56 = 11 = 2
TWO = 58 = 13 = 4

264 + 624 = 888 (Greek gematria for "He is the word" and "I am the Life")

More on 73...
NUMBER = 73
IN THE BEGINNING WAS THE NUMBER = 286 = 16 = 7
IN THE BEGINNING WAS THE WORD = 273 = 12 = 3

(Note: 286-273 = 13, half of 26 = GOD, and the numbers of letters in English alphabet, G.V. Tenuta.)

THE NUMBER = 106 = 7
THE WORD = 93 = 12 = 3

"WORD" could be a metaphor for "SOUND".

IN THE BEGINNING WAS THE SOUND = 286 which is the same as IN THE BEGINNING WAS THE NUMBER = 286

YHVH = 63
TONE = 54
63 + 54 = 117

_______________________________

99.32.2 Orion Belt Stars, Tones, etc. (Gary Val Tenuta) 

Subj: Orion Belt Stars, Tones, etc.
Date: 08/05/2001
From: (Gary Val Tenuta)
Email: CodeUFO@aol.com

From archived notes:

In a message dated 12/3/99 1:29:11 AM, Damon wrote:

"Hmmmmm...are we closing in on the secret of manipulating matter with sound...such as making walls fall down with horns or lifting heavy weights with sound? Resonant frequency of solids? Of molecules in air? Is that why it was banned by the "gods"? Makes one wonder, doesn't it? Damon "

I think we've all suspected this since Jimi's recent post about the aug4th. Your new work on this, Michael, is frankly a bit above my head in the math department, but assuming you know what you're doing (and I believe you do!) I do get the gist of what's going down here. And you just gotta think this is, in fact, leading up to the secret of levitation by sound. VERY EXCITING! Here's a little more...

In a message dated 12/3/99 1:29:11 AM, MICHAEL wrote:

Now ... we know from Robert Bauval's work, that the 3 main Giza pyramids correlate to the 3 Orion belt-stars ... positionally ... an aerial view of Giza, correlating to our view of the belt of Orion from Earth.

Notice the math correlation between the original height (Munck, 1993), in Feet, of The Chephren Pyramid .... and the Grid POINT Value (Morton, 1999) of the Orion belt-star ALNILAM : 471.238898 / 170.010936 = 2.771815209

Now ... multiply that result by "Pi to the 4th power" ... 2.771815209 X (Pi Squared) X (Pi Squared) = 270.

Notice the "self-referential" multiplication, here ... a certain number times "the Square of (Pi Squared). Squares galore.

And "270" ... exactly "3/4ths" of the way around a circumference of 360 arc-degrees. ( In Earth Days ... the human gestation period.) 270 / 45 = 6 .... the numerical basis of "6-fold symmetry" ... natural geometric pattern of crystals, etc. Hmmmm ... "crystals" ... like ... quartz ... (?) ... or ... limestone ... (?) ... the stuff that's in the stone blocks of the Giza pyramids ?

270 / 15 =18 .... the number whose SINE is precisely HALF the RECIPROCAL of The Golden Section ... SIN 18 = 0.309016994 = (1 / 1.618033989) / 2 = 0.618033989 / 2.

Of course ... SIN 19.47122061 X 18 = 6."

Along side, or in conjunction with, the "hard Code" stuff that Michael and others are generating, we keep seeing that the gematria we're developing tends to corroborate the hard Code findings. Here are some examples related to the excerpt just above:

Michael wrote:

"Notice the math correlation between the original height (Munck,1993), in Feet, of The Chephren Pyramid .... and the Grid POINT Value (Morton, 1999) of the Orion belt-star ALNILAM : 471.238898 / 170.010936 = 2.771815209 Now ... multiply that result by "Pi to the 4th power" ... 2.771815209 X (Pi Squared) X (Pi Squared) = 270."

Regarding the number 270... CHEOPS (66) + CHEPHREN (77) + MYCERINUS (127) = 270

Also:
THE ORION BELT STAR MINTAKA = 270

And, as I posted some weeks ago, I saw a pattern in the alpha-construction of the names of the three belt stars. I noticed ALNITAK, ALNILAM, and MINTAKA each had 7 letters and it appeared that perhaps the first three letters of each name were actually like a prefix and the last four letters might be a suffix.

Again, regarding the number 270, the "prefix" of ALNilam = 27. For that matter, the same goes for ALNitak. By coincidence or by design, the prefix of each of the three names has a value which is a multiple of 9 (the total number of digits in the Magic Square). Also, by coincidence or design, the sum of the reduced values of the three prefixes is 27. And the sum of all three whole number values is 90, the corner angle degrees of a square.

ALN [itak] = 27 (9)
ALN [ilam] = 27 (9)
MIN [taka] = 36 (9)
27+27+36 = 90 (9)

Also...
The name of each belt star has 7 letters.
7 x 27 = 189 = BELT STAR OF ORION

Michael wrote:

"we know from Robert Bauval's work, that the 3 main Giza pyramids correlate to the 3 Orion belt-stars."

CHEOPS (66) + CHEPHREN (77) + MYCERINUS (127) = 270
ALN + ALN + MIN = 90
270 + 90 = 360 = sum of the four corner angles of a square.

A few days ago...
In a message dated 11/27/99 9:06:11 PM, Milamo wrote:

"This means 1.414213563 is directly related ... geometrically ... to a Square. The diagonals in a Square are at 45-degree angles to the cardinal points of the same Square ... from the center of the Square. The cardinal points on that Square are the arms of the Cross ... pointing E, W, N, and S."

EAST+WEST+NORTH+SOUTH = 270

75(NORTH) + 45 = 120
83(SOUTH) + 45 = 128
45(EAST) + 45 = 90
67(WEST) + 45 = 112
120 + 128 + 90 + 112 = 450, drop the zero and you have 45.

FORTY FIVE DEGREES = 189 = BELT STAR OF ORION

The discussion between Michael and Damon was suggesting the notion of tonal frequencies in regard to levitation. Remember the prefix of each of the two stars, ALNitak and ALNilam,

equals 27.
27x2 = 54
TONE = 54

And this:

NINE NINE NINE IS THE VIBRATIONAL FREQUENCY OF JEHOVAH GOD = 540
NINE NINE NINE IS THE VIBRATIONAL FREQUENCY OF I AM THAT I AM = 540
Drop the zero and you have 54.
Also notice three nines is 27.

Keep that 540 in mind, and continue:

SIX SIX SIX IS THE VIBRATIONAL FREQUENCY OF LUCIFER = 549
549+540 = 1089
Drop the zero and you have 189 = BELT STAR OF ORION

There is more which all works out in a very self-referential way. Keeping the above numbers (540 and 549) in mind, add this to the mix...

THREE THREE THREE IS THE VIBRATIONAL FREQUENCY OF GOD = 513
513+549 = 1062
(Drop the zero and you have 162
ONE SIXTY TWO = 189 = BELT STAR OF ORION)

513+549+540 = 1602
(Again, drop the zero and you have 162
ONE SIXTY TWO=189=BELT STAR OF ORION)

1062 - 1602 = 540 (see above)

I noticed TONES and STONE are composed of the same letters. I wondered if this might be a clue.
TONES = 73
STONE = 73

THE TONE RAISES THE STONE = 264 = 12 = 3
THE TONES RAISE THE STONE = 264 = 12 = 3

I wondered, then, if 3 might be a clue. Let's see what we get:
THREE TONES = 129 = 12 = 3

The number 3 seems to be important here.
THE THREE TONES =162 (Note this "coincidence": TONE = 54, 54 x 3 = 162 !!!)
ONE SIXTY TWO=189=BELT STAR OF ORION

189 - 162 = 27

(Note here: ONE SIX TWO = 144, classic Hebrew gematria for concept of "Light". Then note: TONE = 54 and TONES = 73; 54 + 73 = 129 =THREE TONES. 73 - 54 = 19 = the number of instruments in the story of the monks levitating the stones, G.V.Tenuta.)

Is there some relationship between the idea of TONES and THREE and the three Belt Stars of Orion? We could go way out on a limb here (as in stretching it a bit) and look at the three prefixes again:

ALN
ALN
MIN

We see the one thing they all have in common is the letter N. Three N's is 42 or 6 by cross addition.

Let's set that aside and look at the first two letters of each prefix:

AL + AL = 26 (The number of letters in the English alphabet)
MI = 22 (The number of letters in the Hebrew alphabet)

26 + 22 = 48 = 12 = 3

There's that 3 again.

Well, that's interesting. But what about tones? Since TONES and STONE showed us we can scramble letters around, what if we reverse the AL to LA and leave the MI as it is. Now we have three tones:

LA, LA, MI (As in DO, RE, MI, FA, SO, LA, TI, DO) Of course this assumes the third place note is spelled MI and not ME. I think it usually is but I'm not sure. But let's go for it and see what we have:

According to their place positions in the scale we have:

6, 6, 3
6 + 6 + 3 = 15

This number fits Michael's discussion about his Magic Square:

"There are 8 possible "rows", including diagonals.
Each row adds to "15".
Recall, now, the SINE of the Tetrahedral Latitude (Hoagland) ...
SIN 19.47122061 = 0.333333333 ..... decimal harmonic of that "333.3333333" we were using.

SIN 19.47122061 X 15 = 5 ..... and "5" is the center digit of the above 'MAGIC SQUARE' of our 9 integers. SIN 19.47122061 X 45 = 15."

Hmm.... 8 rows, 8 notes. And lots of 3's to correspond with our THREE TONES.

Also, there are really only 7 different notes since D0(1) and DO(8) are essentially the same note, but an octave apart. So there's a 7 to correspond with the 7 letters in each of the 3 Belt Star names.

Is there something encoded in some aspect of those three stars that has something to do with tones? Is it in their names? Is it in their positional correspondence with the three pyramids in Egypt?

Metaphorically speaking, if we could reach up there with a big hammer and tap on each star would each one ring out a different tone? Are the two LA notes octaves of one another with the MI in between? In an A-scale, LA would be F and MI would be C. Coincidentally, F = 6 and C = 3: 6 + 3 = 9

"Do you know the total number of digits in the Magic Square?"
"No, but if you hum a few bars I think I can pick it up!"

_______________________________

Subj: Total Number of Digits in Magic Square
Date: 08/07/2001
From: (MetPhys)
Email: MetPhys@aol.com

(Note: The Law of Double Squares (2, 4, 8, 16 = binary progression) and Triple Squares (3, 9, 27 etc.) of Plato's Tetraktys is a good start. The number 6561, should be the total digits of the Virtual Magic Torus, based upon a Triple Squares progression. All exponent sums of 3 equals 9 after numerological cross-adding, meaning 3, 9, 27, 81, 243, 729, 2187, 6561 all = 9)

NON-DIMENSION

3^0 (0 = hidden 3, magic point, 0Dimension) = 0

VISIBLE ACTUALITY: 4D

3^1 (3, visible magic line, 1Dimension) = 3
3^2 (3x3, visible magic surface, 2Dimension) = 9 (visible magic surface, 2Dimension)
3^3 (3x3x3, visible magic cube, 3Dimension) = 27 (visible magic cube, 3Dimension)

INVISIBLE REALITY: 4D

3^4 (3x3x3x3, virtual magic torus point, 4Dimension = 81 = upper harmonic of 3^0)
3^5 (3x3x3x3x3, virtual magic line, 1Dimension = 243
3^6 (3x3x3x3x3x3, virtual magic surface, 2Dimension = 729
3^7 (3x3x3x3x3x3x3, virtual magic solid, 3Dimension = 2187

ATOMIC

3^8(3x3x3x3x3x3x3x3, virtual magic double torus, 4Dimension) = 6561 = hydrogen numerator = upper harmonic of 3^0)

MetPhys

_______________________________

99.32.3 Attachment: Furia Music Wheel (Gary Val Tenuta) 

Subj: Attachment: Furia Music Wheel
Date: 08/05/2001
From: (Gary Val Tenuta)
Email: CodeUFO@aol.com

Robert,

I was just reading through the section on your web site pertaining to music, tones, etc. and it reminded me of some stuff I had tucked away in the form of old email posts to Michael Morton and others. Thought maybe you might find some of it interesting as it relates to the information on your page. I note now that the information I had about the monks levitating the stones was partly in error.

The way I had heard the story, the monks formed a half circle rather than the quarter circle as indicated in the story on your web page. That may put a different slant on some of what follows here but still the "coincidental" word / number correspondences in the following are intriguing. (I'll send a couple other related papers. Some items will be repeated, some will be added info). By the way, I'm finding your web site to be totally fascinating. I can appreciate the effort that has gone into putting all that together. Great work. A valuable resource.

-Gary-

From my archived notes:

Gang,

Was thinking about what Jimi Furia reminded us... the story of the men forming a half circle when they blew the trumpets. I seem to recall another story of monks standing in a half circle when they vocalized some tones to raise a large block of stone into place.

Half a circle is 180 deg.
HALF = 27
HALF + HALF = 54 = TONE

Half of 54 is 27 (harmonic 270)
(CHEOPS (66) + CHEPHREN (77) + MYCERINUS (127) = 270)

180 + 54 = 234 = THE GREAT PYRAMID OF GIZA, and the reverse of 432

432 + 234 = 666
432 - 234 = 198 = THE RESURRECTION ("Levitation"? The stone was "mysteriously" moved from the opening of the tomb!)

On Jimi's Music Wheel there are only 3 notes which consistantly generate a CPS (Cycles Per Second) which is reducable to 9. They are A, D, E. This is 1, 4, 5. The intervals of a chord progression often known as the standard blues progression.

There is one other note, the 7th or G, which figures in nicely. It is the only one on the wheel which consistantly generates a CPS reducable to either 6 or 3; it fluctuates around the wheel. Going clockwise, the sum of its CPS values are:

21(3), 15(6), 12(3), 12(3), 15(6), 12(3), 15(6). When the 7th is applied to the "1-chord" in the 1, 4, 5 progression it is often referred to as a "transition" to the next chord, usually the "4-chord". It's a cool sound. It's always fascinated me how it somehow produces a sound which creates a feeling of anticipation in the listener. It's like teetering on the edge of a fence just before making it to the other side. In an "A" progression, "G" is the transition to "D".

Interestingly, the notes E,A,D,G are the names of the bottom 4 strings on a guitar.

The Sarsen Circle is composed of 30 uprights.
Half of 30 is 15 (a key number in Michael's Magic Square). 54(TONE) / 2 = 27

Speaking of 27 and things in half:

When the English alphabet is folded in half so that A meets Z, B meets Y, and so on... each of those 2-letter combinations equals 27.

And this... Michael wrote:

"270 / 15 =18 .... the number whose SINE is precisely HALF the RECIPROCAL of The Golden Section ... SIN 18 = 0.309016994 = (1 / 1.618033989) / 2 = 0.618033989 / 2."

By the way, I like the idea of "A" at 432cps if for no other reason than the shape of "A" is a pyramid. Pretty cool.

-Gary-

_______________________________

99.32.4 Attachment: Furia Music Wheel (MetPhys) 

Subj: Attachment: Furia Music Wheel
Date: 08/05/2001
From: (MetPhys@aol.com)

From: MetPhys

In a message dated 8/5/1 9:38:57 AM, you wrote:

"Robert,

I was just reading through the section on your web site pertaining to music, tones, etc. and it reminded me of some stuff I had tucked away in the form of old email posts to Michael Morton and others. Thought maybe you might find some of it interesting as it relates to the information on your page."

To Gary (CodeUFO@aol.com),

My site is posted because I needed to reference it easily and also share with others along the way. I realized that I had a scattered part of the whole picture and that others like you, have also, a part of the whole picture. We all may remember much about 10,000's of subjects and each of us has a "forte" or one strong skill and we can only take it so far, eventually.

But together, in the most ideal sense, we can put our information together and come up with a gematria that encompasses all of divided science and that includes acoustics, far and above that which we could have accomplished by ourselves.

I knew music was "encoded" somehow into the universe simply by noticing the musical ratios of electron orbitals, for example, so I collected much information about music, but your AlphaNumerics of word groups are showing a musical code that few realize is there in the letters.

I think we all would like to hear more from you concerning what you see in the musical gematric numbers of words as we all press on. Along with the music and studies of many other contributing people, I'm sure we will find amazing correlations, connections and correspondence between music, letters, words, magic squares, quantum matrices and other real phenomena.

rgrace@rgrace.org
Impossible Correspondence: http://www.rgrace.org/index.html

Page 32

Sections List- 99 Electrons and Mythologies
Impossible Correspondence Index

Copyright. Robert Grace. 2001