**99.75.1 Golden Angle (Christian)**

**99.75.1 Golden Angle (Christian)**

From: christian.lange2@tin.it

To: MetPhys@aol.com

Subject: Golden Angle

Date: 01/15/03

In a message dated 1/15/3 11:57:43 AM, christian.lange2@tin.it writes:

<< I saw a film about crop-circles. Did you know, that the lay of crop, when folded has an angle of 51¡ ?

In addition the crop-circles has symbols of sacred geometry that is based on the fibonacci series or the golden mean ratio ? In my article "The golden angle" I found out the cutting angle of 51,84¡ of the hyperbolic cone to get an egg with golden mean proportions that is the same angle of the sides of the gizeh pyramid.

What do you think of the crop-circles ?

In the film I saw was telling something about the Schumann frequency that is increasing (I know this because in the water activator, there is still the new frequency of 9.05 Hz) and that the magnetic field of earth is, decreasing (pole shift).

Best things

Christian >>

<< Did you know, that the lay of crop, when folded has an angle of 51¡ ? >>

I wouldn't doubt it a bit Christian...I'm not surprised.

<< What do you think of the crop-circles ? >>

I think they are geometric constructions of military satellite technology that are founded upon musical ratios and principles of geometry. No aliens involved. At least this is the most simple and obvious until evidence of aliens emerges.. The balls of light may be laser or maser technology. I've also seen mpg movies of hovering UFO's over crops but I cant confirm they are real.

Met

**99.75.2 Energy extraction equation...ZPE to proton (Iuliano)**

From: JerryIuliano

To: MetPhys@aol.com

Subject: Energy extraction equation...ZPE to proton

Date: 01/16/03

MP:

The holographic mathematics of the 82944 triple logic cube can be demonstrated by the electron--proton invariance:

Let electron = emev = .5110000243....(1998 NIST = .510998902 mev)

Let proton = pmev = 938.271998....(1998 NIST = 938.271998 mev )

Proton as invariant function of the fine-structure constant ..a(em).. ; Feigenbaum bi-furcation constant..(F).. and fermi-coupling charge..G(w).. :

Let Feigenbaum constant = F = 4.6692019318.....(actual 4.669201609..)

Let fermi-coupling charge = G(w) = .00001166405366..(1998 NIST=.0000116639)

The electron and proton energies are mathematical artifices caused by the "extraction " of energy from chaos (ZPE) ...controlled by Feigenbaum using the "gate keeper" of Nature , fine-structure constant..a(em):

Let fine-structure constant = a(em) = 1/137.035999604...

(1998 NIST = 1/137.03599976...)

The secret of 82944 are the four holographic equations for proton to electron transitions:

RADIAN FORM: from the allowances of Leahy's 20 diagonal minimum :

37+20=57....37-20=17...e = natural log = 2.7182818...

e ^ (emev ^ - (radian/20)) = 938.2719971..

9's FORM: 9/Pi, electron to proton decay through natural log e = 2.7182818..

e ^ (emev ^ - ( 9/Pi )) = 938.2719971

FINE-STRUCTURE FORM: a(em) to emev/pmev:

cos (1/a(em)) * 666 / (emev ^ 2) = 938.2719988

FERMI-COUPLING CHARGE: ZPE by Feigenbaum to fermi-coupling

emev / G(w) / F / 10 = 938.271998

As was shown to prof. Leahy in 1999 the 82944 function connects to the cosine as well as the 1/Pi form of the proton :

[82943.6752 ^ ( emev ^ (1/Pi))] / 10 = 938.2719984

Note this is just a simplified version of the radian to natural log e form ......(emev^-(9/Pi) to .....emev ^(1/Pi) such that 82944 ^(1/Pi)/100 equals cosine inverse fine-structure). The equation that illustrates the action of the extraction of "ordered" (F) energy out of the Zero Point Energy (ZPE) field to the the unit proton ... pmev; can be demonstrated as a derivative of the radian form:

ENERGY EXTRACTION EQUATION: ZPE by Feigenbaum to proton :

tan F ^Ê[1 / PiÊ/ ( emevÊ^ ( 9 / Pi )) ]Ê=Ê938.2719943...

tan F ^ [1 / Pi / ( emev ^ (radian/20))] = 938.2719943

The electron is connected to the 20th part of the radian through this form. When combining the electron to the proton, a 20th part radian automatically appears as a decay function of natural log e:

natural log e = pmev ^ ( emev ^ - ( radian / 20 ))

natural log e = pmev ^ ( emev ^ - ( 9/Pi ))

J.Iuliano

You're some kind of a genius aren't you, Sir. MetPhys.

**99.75.3 Energy extraction equation...ZPE to proton (Iuliano)**

From: Jerryiuliano

To: MetPhys@aol.com

Subject: Energy extraction equation...ZPE to proton

Date: 01/16/03

MP:

I hope you realize that the ...radian /20... equation is entirely unprecedented. It blew me away when I discovered it only a few days ago. You would have thought that it should have turned up in a physicists doodle sometime or somewhere in a college textbook or something... it's so damn simple: It has to be out there before???? Just too simple..... occams razor defined....

e ^ ( .5110000243 ^ - ( radian /20)) = 938.2719971

It still just blows me away, so simple so simple...the trail up to it was strange and exotic!!! Leaning heavily on the 18 thing.

J.Iuliano

**99.75.3 Luigi's Temporary Departure- Levitation Formulae Revealed (Luigi)**

From: luigi.di-martino@ntlworld.com

To: MetPhys@aol.com

Subject: Luigi's Temporary Departure- Levitation Formula Revealed

Date: 01/16/03

Hi Met

Just going to wish you a warm farewell for a while. You have been very kind in supporting what I have been up to, and I have grown a great deal as a result of interrelating with you. I must turn towards the music for a while and not get so "scientific". Lots to do, especially writing on the potential of Married Music, a way of composing from both sides using new scales etc. I am not a great fan of simply listening to pure harmonics as a way of healing. We don't worship ingredients as such but prefer them in a cake. Likewise I prefer the art of composition or inspired improvisation, and not blind worship of nasty sounding overtones just for the sake of mathematics!! So I want to go away and make up pieces of music that reflects the two sides of the mode boxes, combines them through symmetrical chordal joining etc. Making music using the Merkabah like structure that is embedded within the dual rotation of the vibrations may or may not prove to be an enlightening listening experience, and the only way to find out is for me to have a go.

Lui

As you wish Sir.

I want you to know that music is the basis for levitation so I hope you will give us an idea when you will return when you decide to.

Met

The space astronauts always say "lift off" on zero. Zero is also nine, and nine is the place where the Dorians meet. The Dorian mode is the basis of levitation but will only work during meditation! That's my belief anyway! Hint; compose music using the three interrelating Dorian modes of the Triangle (male), and then transpose using the three Dorians of the other triangle (female).

The whole thing meets up at the 7 and 4 modes, the F and B.

F lyd/F Loc - B Lyd/B Loc - F Loc/F Lyd - B Loc/ B Lyd = perfect Light/Dark Dark/Light x 2

7+4+4+7+7+4+7+4 = 44

74+47+74+47 = 242

242 minus 44 = 198 ;-)

L

**99.75.4 Tell Tale?- Rife Frequency Synchronicities (JoeDe)**

From: healthnow@bodyvibes.com

To: MetPhys@aol.com

Subject: Tell Tale?- Rife Frequency Synchronicities

Date: 01/17/03

Hi Met,

This showing something or what???

Is new current earth frequency to = 9?

611+727+815+970 = 3123 = 9

611 = 8

727 = 16 = 7

815 = 14 = 5

970 = 16 = 7

87 + 57 = 144 = 9

82944 / 3123 = 26.559

82944 / 8757 = 9.471

26.559 + 9.471 = 36.03 decimal harmonic of 360

82944 / 360 = 2304 = 4 octaves above 144 = 9

This continuation is becoming even more compelling:

The interval 611-D# and 815- G# is an inverted 5th = 1426 = 13 = 4

The interval 727- F# and 970- B is an inverted 5th = 1697 = 23 = 5

Both intervals together are inter-woven 4ths.

8757 + 3123 = 11880 = 18 = 9

Remember my first post on your site? I stated that these 4 frequencies arrived in my right ear in early Nov. 2002. It has now been validated to me that these frequencies will equate to our new DNA density; hence my obsession with # 9 all of my life. Coincidence?

I know the early Rife frequency to be 11,780,000 Hz not far from decimal harmonic of 11880.

Also consider:

118800 / 32 = 371.25

117800 / 32 = 368.12

371.25 + 368.12 = 739.37

Standard tuning of today's F# (one octave higher) = 739.99

739.99 - 1.79% = 726.74

727 = most common frequency protocol in all disease scenarios.

(Pythagorean tuning of F#) as with 432, 256, etc....

Joe DeBrouse

Hello Sir,

I was reviewing Rife frequencies for the past few days and was also reviewing Alphanumerics along with Iulianos maths and its slowly becoming clear that 9's with its many multiples such as 18, 27, 36, 45, 54, etc. shows up in various calculations. I noticed that in this series the first numbers increase by (1), example (1)8, (2)7, (3)6, (4)5, (5)4 and also decrease by (1), example 1(8), 2(7), 3(6), 4(5), 5(4), so the 9's are very strange. Iuliano also makes use of multiples in this way with his maths.

I'm learning that any series of numbers that has a base 9 will have universal properties.

Using this "multiple" concept we can see that this example

57 + 87 = 144 and

288^2 = 82944 meaning double light squared.

These are all multiples or divisions of the light harmonic 144.

Met

From: MetPhys@aol.com

To: healthnow@bodyvibes.com

Subject: Psionics

Date: 01/20/03

The Cybershaman and the Miracle 6 by Ernie Vega

Hi Sir,

I had long conversations with Ernie in early 2002 on a BBS. We discussed various technologies and I did my best to provide links and information. You may find something of interest from an excerpt of that BBS conversation. The name was Meta200.

From Joe DeBrouse:

Met,

What I see in continuance of 82944, as relates to previous post.

Dividing 82944 by any E note of Pythagorean tuning.

82944 / 324 = 256 (C - Pythagorean tuning)

Dividing 82944 by any C note of Pythagorean tuning.

82944 / 512 = 162 (E - Pythagorean tuning) ALSO:

Dividing 82944 by a D note of Pythagorean tuning always yields another D

**Pythagorean tuning.**

82944 / 576 = 144 (D - Pythagorean tuning)

So each C produces an E, and each E produces a C, and D produces only Ds.

So the first 3 notes of this C scale are all interrelated to 82944 as noted.

However, no other note in the C scale of like tuning is related in this fashion to 82944.

In case it has not been mentioned, C- D and E resonate with the first 3 Chakras Red, Orange and Yellow and require Balancing 5ths: G - A and B - Blue, Indigo and Violet respectively.

**Enter 373250** is to G - A and B as 82944 is to C - D and E:

Dividing 373250 by any B note (970 Hz-previous post) Pythagorean tuning.

373250 / 970 = 384.79 (G - Pythagorean tuning)

Dividing 373250 by any G note (384.79 Hz) Pythagorean tuning.

373250 / 384.79 = 970 (B - Pythagorean tuning) AND

Dividing 373250 by any A note of Pythagorean tuning always yields another A.

373250 / 864 = 432 (A note Pythagorean tuning) ALSO

What I am seeing here is the significance of 82944. Could there be a similar significance as related to the # 373250, as it relates to the perfect fifths? A balancing number that may fit the 82944 scenario? The musical notes G-A and B are the perfect 5ths of C-D and E, and also fit the same mathematical/musical relationship to 373250 as do C-D and E to 82944. Might there not be a geometric pattern that is involved here, since the mathematical/musical relationships of both 82944 and 373250 are congruent in at least that respect?

373250 is to G-A and B

As 82944 is to C-D and E

**ALSO**:

82944 / 970 (B) = 85.5 + 1.618% = 86.89 or 87 = F

373250 / 512 (C) = 729 + 1.618% = 740.79 = F#

Both 87 (F) and 740 (F#) are of today's standard tuning, not Pythagorean.

**Full Circle**:

373250 / 82944 = 4.5

82944 / 4.5 = 18432 / 64 = 288

Joe DeBrouse

**99.75.6 An AHA!! Moment with 373250 (JoeDe)**

From: healthnow@bodyvibes.com

To: MetPhys@aol.com

Subject: An AHA!! Moment with 373250

Date: 01/21/03

From one of Jerry's pages:

In June 1995, the writer noticed that the inverse 256th root of 1E33 is approximately the product of the fine structure constant and the edge of the 'dead center cube', 10368.

So guess what:

373250 / 10368 = 36.000

Yeah!

**99.75.7 More Dot Connections with 373250 (JoeDe)**

From: healthnow@bodyvibes.com

To: MetPhys@aol.com

Subject: More Dot Connections with 373250

Date: 01/21/03

Another validation of the frequencies: 611-727-815-970 = 3123

And their individual totals as posted previously as: 8757

Full circle once again:

373250 / 3123 = 119.5

373250 / 8757 = 42.6

119.5 + 42.6 = 162 (E)

82944 / 162 (E) = 512 (C)

**99.75.8 Genesis births and the Overtones (Luigi)**

From: luigi.di-martino@ntlworld.com

To: MetPhys@aol.com

Subject: Genesis births and the Overtones

Date: 01/21/03

Hi Met

Just a little something I want to share with you. The attachment is a couple of letters written from Phil to me and from me to Phil. You should be able to get the gist of it and I thought I would run it by you. If you can't view this letter then I will take a couple of pictures of it and send it.

Lui

Jan 21 2003 4:38 PM

Genesis births and the Overtones

Yeah sounds like fun, so send me Priests perverted line of descent please.

L

**99.75.9 Genesis births and the Overtones (Luigi)**

From: MetPhys@aol.com

To: luigi.di-martino@ntlworld.com

Subject: Genesis births and the Overtones

Date: 01/21/03

Source: Quartum Organum by Krypton, pg 456

"Each of the two authors, thus far, gives a genealogical table leading up to Noah, but that one is merely a confusion of the other is obvious. The Jhwhist, prior by some two hundred and fifty years, makes Noah the son of Lamech and hence a descendent of Cain; the priests makes Lamech, and hence Noah, a descendent of Seth. Very clever indeed; so clever, in fact, that it has deceived our "Bible students" for over two thousand years. In the interval between these accounts, a professional priesthood has developed, and this did to truth what the priesthood has ever done, that is, concealed it from those they would control. That we may get back to it, let us set these two genealogies side by side and look at them. As the first is generally referred to as the Kenite, we will use this term" :

ADAM

Kenite (Jhwhist) Sethite (Priestly)

1.Cain (a) 1. Seth

2. Enoch (b) 2. Enos (b)

3. Irad (c) 3. Cainan (a)

4. Methujael (d) 4. Mahalaiel (d)

5. Methusael (e) 5. Jared (c)

6. Lamech (f) 6. Enoch (b)

7. Noah (g) 7. Methuselah (e)

8. Lamech (f)

9. Noah (g)

"You will notice that there is in each of these tables a Cain, an Enoch, a Lamech, and a Noah, and since one Lamech is the son of Methusael and in the other of Methuselah, the latter two are probably one and the same, and Jared is Irad. This is proved by Josephus's account: "Now Jared was the son of Enoch; whose son was Malaleel." And again, "Seth begat Enoch in his two hundred and fifth year."

"Thus these two are not different genealogies but one, the second (Priestly version) a confusion of the first to hide from us the fact that life sprang from a ruthless principle (a computer algorithm) and not divinity".

May I add that this algorithm can be easily understood by the skip sequence of thirds, as explained by Alex Chu, a very perceptive Korean man, considered to be highly eccentric also, by the other products he sells and things that he says, but he is correct in this:

He shows how the alphabet is arranged in this way, in the first 5 books of the Bible: Pentateuch (penta = 5)

He offsets his alphabet by 3 letters thus:

ABCDEFGHIJKLMNOPQRSTUVWXYZ

ABCDEFGHIJKLMNOPQRSTUVWXYZ

ABCDEFGHIJKLMNOPQRSTUVWXYZ

This is the secret of the skip code of the Pentateuch. All that has to be done now is let every A equal a planets position and its characteristics. In other words, for example, if Mars is A, every time Mars comes closest to Earth, then we can tell when Mars (A) will do it again, farther down in the text. Now all that we do is create a plausible but highly misleading story around this skip coded alphabet and we have an embedded code about the astrology of planets affecting earthly events.

Met

**99.75.10 Genesis births and the Overtones (Luigi)**

From: luigi.di-martino@ntlworld.com

To: MetPhys@aol.com

Subject: Genesis births and the Overtones

Date: 01/21/03

I happen to think that the new births in Genesis do follow the way it is set out as the births of each new overtone. At least the list is uncannily similar, including the skipping of one verse (what should be verse 26 is delayed to verse 27) so that the last note of A corresponds with the 27th overtone. I will go and check my notes to make sure this is correct, but that is how I remember it from last year.

L

Jan 21 2003 8:42 PM

Genesis births and the Overtones

Try this jpeg of the verses.

Then compare it to the new notes that are born in the overtone series that I sent earlier. A new note is born on the number sequence as described in the earlier post.

L

**99.75.11 IMMER and the number 242 (Luigi)**

From: luigi.di-martino@ntlworld.com

To: MetPhys@aol.com

Subject: IMMER and the number 242

Date: 01/21/03

Yo Met

Did you notice the coincidence with the post I sent in on the number 242 and the post Lynda just sent in on this house of Immer stuff?

Freaky life ain't it!!? If you went to the link you will have read this:

<< Later, after being freed from their captivity in Babylon, the Israeli priesthood rejected and excluded, as unclean, the genealogical children of Immer (see Ezra 2:59). There were (at that time) 1,052 of them. Also in the Torahs, it speaks of Immer as 242 at another time. The prime number of both these counts is 8. Immer is the infinite Light power of 8. >>

Well, the 242 is the sum of the Triangle of keys as it flicks from Light to Dark, visibly at the F and B tri-tone points. What one could do with digesting is this visible/invisible aspect to creation. In musical terms it could be shown by the spinning of this Triangle Wheel, showing that the 7th and 4th position is a gateway to either key (C or F# Major). The 7 in one key is the 4 in the other and vice versa. These are the two points where both keys correlate......The joker laughs as he composes through the eternal gateways, music to spark the essence of creation in its manifold attires. The joker laughs at the mathematics, preferring to play his flute and allow the richness of Nature's understanding to help blend in the notes and make of it a grand symphony. Mathematics goes so far, and establishes a gamut of keys, Major rising and Minor falling. Whatever the number is one way there is a mirror move the other. Whatever the number there is a living Merkabah, that comes alive when inspiration and Desire touches its flames of Life. The two triangles will want to spin in opposite flows, with the 9 navigating the Will of its expressiveness, swapping at the tri-tone from one side to the other side.That's my opinion for today anyway!

Lui

**99.75.12 Question from JoeDeBrouse- Egg Levitation (Christian)**

From: christian.lange2@tin.it

To: healthnow@bodyvibes.com

CC: MetPhys@aol.com

Subject: Question from JoeDeBrouse- Egg Levitation

Date: 01/22/03

Joe,

I had a look on the MetPhys update page and I begin to understand the meaning of 82944 but I need some additional help because this frequency harmonics numerology is very new for me and I know that it is the key to all. What is the relationship to levitation ? I read something about levitation on the MetPhys page in relation to tuning of notes.

I think your answer below is important to be posed on MetPhys' page. It is the relation between geometry and frequencies. I got some intuition: I have to construct the golden egg in a way, that the length of the egg will give me a perfect note C. If I know the frequency of the note C I can calculate the wave length and I know automatically the length of the golden egg ? I'm right or not ? Please give me the frequencies of C (Pythagorean tuning) together with the higher octaves of C, so I will find the right length. The width of the egg is length divided by 1,618 and I guess that this will be another harmonic music note. Then I need to find the right frequency of the tornado inside the egg by tuning the velocity of water and I hope to get levitation or something else interesting.

Joe and Met, I need your help for this. This would be a common project between us. I like to make theoretic considerations but now I need to construct something working in our 3D reality.

Thank you very much.

Your friend Christian

-- Messaggio originale --

Reply-To: "Body Vibes" healthnow@bodyvibes.com

From: "Body Vibes" healthnow@bodyvibes.com

To: christian.lange2@tin.it

Subject: Re: Christian- Question from JoeDeBrouse

Date: Tue, 21 Jan 2003 22:27:37 -0800

<< Yes you may be correct about water moving through the golden egg: 51.84 / 1.618 = 32--- which is Pythagorean tuning of the note C. And relates to 82944... >>

Good Night

**99.75.13 Question from JoeDeBrouse- Egg Levitation (MetPhys)**

From: MetPhys@aol.com

To: healthnow@bodyvibes.com, christian.lange2@tin.it

Subject: Question from JoeDeBrouse- Egg Levitation

Date: 01/22/03

In a message dated 1/22/3 9:58:55 AM, christian.lange2@tin.it writes:

<< I have to construct the golden egg in a way, that the length of the egg will give me a perfect note C. If I know the frequency of the note C I can calculate the wave length and I know automatically the length of the golden egg? I'm right or not? Please give me the frequencies of C (Pythagorean tuning) together with the higher octaves of C, so I will find the right length. The width of the egg is length divided by 1,618 and I guess that this will be another harmonic music note. Then I need to find the right frequency of the tornado inside the egg by tuning the velocity of water and I hope to get levitation or something else interesting. >>

If you build a machine that operates like the whole universe or part of it, that machine will act exactly like the universe.

The assumption is that your egg represents a part of universe. It probably represents any slightly distorted sphere. Upon this premise you are calculating that if the length of this egg is exactly the wavelength of perfect note C, the water tornado vortex will resonate with the perfect note C on the eggs Major axis.

As a first test I suggest you refer to the file 26 Keely and his disassociation frequencies of water components, hydrogen and oxygen (42,800):

The Dissociation of Water.

Frequency of Hydrogen- 42,800 / 6562.79 (Hydrogen wave number) = 6.5216.

Frequency of Oxygen- 42,800 / 7775.43 (Oxygen wavenumber) = 5.5045.

(Note: Dissociation occurs at about 5.5 and 6.5 times the frequency of hydrogen and oxygen).

The useful data here is 42800 MHz or a fractal frequency of this such as 4280 Hz, 428 Hz or 42.8 Hz or 4.28 Hz

This particular frequency (42,800) may cause your tornado to implode into an Aether vortex just like the water vortex that you begin with. This may be a violent transition. Using a fractal frequency of this may have the same or different effect.

If you want to convert frequency to length:

See my File Relevant Links- Section "Conversion Factors/Phys.Constants"

I also found and have a music scale of 34 notes based upon Phi with each notes mathematical formula. It is a PDF Document which is attached.

A 34 Note Scale Based Upon Phi (PDF)

If you use an oscillating circuit use these formula:

**24.12 Resonate Circuits**

"The resonant frequency of a parallel LC circuit is:

F = 10 sup.6 / 6.28 x (LC) sup.1/2. where: F is the frequency in kilohertz, L is inductance in microheneries and C is capacitance in picofarads.

If L is 10mh + C is 101pf; 10 sup.

6 / 6.28 x (10 x 101) sup.1/2 =

5,025.1256 KHz.

1/2 = Sq.-root of...

Scientific American

Sept. 1975, pg 184

Met

P.S. I have several other techniques I want to try someday in the future with your helps using frequency, Mirror Music, resonance, phi, heterodyning, and counter rotating sound fields upon a disc. I hope that you will be interested. The assumption is that if one brain is employed upon a problem to solve it, three brains will solve the problem in a more efficient manner. Dale Pond's atomic music must be considered here to find the musical frequencies of elements and also the spectral frequencies of elements such as iron which must be converted to wavenumber then to wavelength, which spectral frequencies I have, here. After the fractal frequencies are found for a particular element, then consonant or dissonant musical intervals and principles of music will be applied to these atomic frequencies to affect their Rydberg distances or their PPCM resonances. PPCM is Pumped Phase Conjugate Mirror as in laser experiments. I have a good idea what I'm doing in my mind. The only thing I lack is equipment. I have been saving this for later, though, after a full and detailed examination of music, vortexes and eggs have been mapped.

Met

**99.75.14 Question from JoeDeBrouse- Egg Levitation (Christian)**

From: christian.lange2@tin.it

To: healthnow@bodyvibes.com

CC: MetPhys@aol.com

Subject: Question from JoeDeBrouse- Egg Levitation

Date: 01/22/03

Met,

You can post everything of my material, even the e-mail of the idea of the vortex in the egg. I wrote, that it is private, but now I think b, that I have to share everything with everybody. We are going to a collective consciousness and so I have to exchange information with everybody. I know only a little about music frequencies and I thank you and Joe for all information I got. I have to combine music with geometry. Thank you for all your info. I will study them and I need some time to think about it. I have a full time job in the automotive and I have only little time. I hope to find more time for research....

Christian

**99.75.15 Question from JoeDeBrouse- Egg Levitation (MetPhys)**

From: MetPhys@aol.com

To: healthnow@bodyvibes.com, christian.lange2@tin.it

Subject: Question from JoeDeBrouse- Egg Levitation

Date: 01/22/03

In a message dated 1/22/3 10:36:27 PM, christian.lange2@tin.it writes:

<< I have to construct the golden egg in a way, that the length of the egg will give me a perfect note C. If I know the frequency of the note C I can calculate the wave length and I know automatically the length of the golden egg? I'm right or not? >>

I'm a little unsure with your request. You seem to be looking for a resonant length plus a resonant shape (the egg). Let me say something about what I've learned about levitating with frequency.

First, any frequency can represent the root note (first note, in your case C).

Second, a root frequency must be chosen, that matches the spectral wavelength of the mass under investigation.

Third, a scale, whatever it is, is ratios. It is the ratios between each note, beginning with your first root frequency.

Forth, if you want to levitate mass using frequency you must know the frequency of the mass you are trying to levitate.

Fifth, after the mass chord (Keely) is known, you then construct a scale that is either constructive or destructive to that mass chord.

With your egg, you are hoping that the length of the egg is a harmonic wavelength of the root note C. Why C frequency is vital is a mystery to me. You seem to be choosing C for some irrational reason. If you tell me why you are using C as a root then I will be able to tell you if it is a correct step or not. Moreover, as far as I know, if you have chosen an egg shape that is a conical section thru a cone, based upon Phi, your egg will automatically have the correct length and you may choose any root frequency that is harmonic with the mass chord. You have, by this procedure, solved the shape problem. By the way, I'm still searching for the simple formula for wavelength you want.

I might suggest you use the same technique as Keely did when trying to find the mass chord of the material under investigation (water). He used either a gold, silver or platinum wire representing in order, ratio 3 : 6 : 9.

Met

**99.75.16 Number 373250 / 512 (C) = 729 (JoeDe)**

From: healthnow@bodyvibes.com

To: MetPhys@aol.com

Subject: Number 373250 / 512 (C) = 729

Date: 01/23/03

Regarding these 2 statements:

Source: The Toroidal Universe

"The new model offers a streamlined alternative. It treats the Big Bang not as the true moment of creation, but as a transition between two cycles in an endless process of cosmological rebirth.

A transition indeed, between the whitehole opening and the blackhole closing on the antipode of the universal toroid".

Might there not be an inter-relationship that links the duality of electron spin and polarity with the micro / macro--entropy / syntropy process regarding complimentary forces, which synchronizes Iulianos' hypothesis of 82944 to 373250; in that 82944 does not appear to fully entail the full range harmonics and potential geometric / toroid potentials, to facilitate the complete cyclic attributes and physical forces encapsulated within the universal realm.

Hence: 373250 is to D-E-G-A and B, as 82944 is to C-D-E-G and A, which illustrates the full range of fundamental roots in C major attributed to the Pythagorean diatonic scale.

It would seem the process of birth / re-birth would coincide with a transitional flow that is virtually undetectable that may not be apparent as with C-D-E-G and A regarding 82944, in that the following octave, beginning again with C, would naturally stem from, at least from a musical standpoint, B regarding 373250.

Your thoughts.

Joe

You got it!!!........what we detect is incomplete and only half of the picture.

Met

Addenda: This Completes the C Cycle:

373250 / 544 (median DNA frequency) = 686 (F Pythagorean tuning) Completing the C Major scale related to 82944 and 373250.

Joe 01/24/03

**99.75.17 Mass Acceleration and Mechanical Resonance (MetPhys)**

From: MetPhys@aol.com

To: christian.lange2@tin.it

Subject: Mass Acceleration and Mechanical Resonance

Date: 01/23/03

Source: Mass Acceleration and Mechanical Resonance

Mass Acceleration and Mechanical Resonance Part 1

May be able to use the mass m acceleration a=(F/m)* v^n to increase the energy efficiency of a machine. Acceleration a would be applied at resonance with the moving mass m. The larger the (F/m)*v the larger the exponent n. The mass m can be a mass of a pendulum, a molecule, or an electron subject to acceleration force F. The F can be mechanical force, electrostatic force, but not gravitational force. If a resonator like an air column in a glass tube or coil and capacitor is tuned to the frequency or pulse of acceleration a, the output amplitude or energy is larger at the input amplitude. For example, if a tuning fork is close to a resonant tube tuned to the sound frequency, the sound amplitude is maximum at the resonant frequency of the air column in the tube. This may be due to the acceleration a applied to the air mass m.

Mass Acceleration and Mechanical Resonance Part 4

The energy balance equation and the mass acceleration equation may also apply to sound waves. Moving the sound waves requires mechanical acceleration of the air. The sound waves produce pressure P.

The element force or small force on a single atom may then be:

dF=P * dA, where dA~ pi * r * r

is the small surface area of the air atom with r the radius of the atom. The small mass of the atom like oxygen is dm. The pi=3.14159. The the acceleration equation becomes:

a=(dF/dm) * v^n.

The acceleration a is applied in phase with the sound frequency f at resonance. The sound waves with frequency f from a tuning fork are applied to the air in a glass tube. The tube has a column of air. The length of the tube is tuned to the sound frequency. On each sound oscillation the pressure P is slightly increased due to the sound waves being contained and concentrated in the glass tube.

This increases dF. Since energy m*v increases by dF*dF in the equation of velocity v, the energy m*v increases with each sound wave oscillation. This occurs at resonance when a and f are in phase or are reinforcing each other. The sound waves travel or pass back and forth in the glass tube and during each pass, the velocity v is increased by acceleration a. Some of the energy m*v escapes as sound from the tube, and some increases pressure P of the oscillations. This only occurs when the signal sound frequency f from the metal tuning fork exists. The length of the tube is:

h=z/(4*f')

for tube with one side open, where z is the speed of sound of air at room temperature. This simple energy system is not yet self-sustainng in energy. The sound energy from the tube should be amplified again be more and larger resonant tubes. The sound amplification may be converted to electrical energy too keep the tuning fork ringing artificially by electrical impulses.

These observations may lead to free energy systems. These observations and conventional theory of energy amplitude amplification at mechanical resonance have to be reinterpreted. The true source of the power amplitude increase at resonance should be investigated by others. The source may be dF*dF and the variation of exponent n from a velocity v equation.

Met

**99.75.18 Coil Configurations (JoeDe)**

From: healthnow@bodyvibes.com

To: MetPhys@aol.com

Subject: Coil Configurations

Date: 01/24/03

At first glance regarding your last post:

What if, just brainstorming again, a sequence of ascending coils were introduced that were wound in accordance with the mathematical/harmonic input signal, in that the windings ratio facilitated the natural harmonic occurrences resulting from a square wave which produces, first, it's octave, and then the odd harmonics of said signal. The coils could be wound with a decimal harmonic relationship, as not to interfere the propagating odd harmonic resonance. This would create a non-linear signal entering the tube which is of course in proportion to the input signal, would it not?

Then, reverse the process of the coil windings, creating a delay due to the multiple coil windings, then feed it back to the original input. Could a cycle propagate, in that the coil adds capacitance which stores / delays a portion of the output? Perhaps other components are necessary here.

Also, using at least 2 frequencies at the input that are separated by the harmonic bandwidth that is congruent with the coil windings (5-10.1 or more) will definitely generate higher harmonics at the output, which may facilitate a re-cycling event.

Joe

**99.75.19 Coil Configurations (MetPhys)**

From: MetPhys@aol.com

To: healthnow@bodyvibes.com

Subject: Coil Configurations

Date: 01/24/03

In a message dated 1/24/3 5:48:47 AM, healthnow@bodyvibes.com writes:

<< What if, just brainstorming again, a sequence of ascending coils were introduced that were wound in accordance with the mathematical/harmonic input signal, in that the windings ratio facilitated the natural harmonic occurrences resulting from a square wave which produces, first, it's octave, and then the odd harmonics of said signal. The coils could be wound with a decimal harmonic relationship, as not to interfere the propagating odd harmonic resonance. This would create a non-linear signal entering the tube which is of course in proportion to the input signal, would it not?

Then, reverse the process of the coil windings, creating a delay due to the multiple coil windings, then feed it back to the original input. Could a cycle propagate, in that the coil adds capacitance which stores/delays a portion of the output? Perhaps other components are necessary here.

Also, using at least 2 frequencies at the input that are separated by the harmonic bandwidth that is congruent with the coil windings (5-10.1 or more) will definitely generate higher harmonics at the output, which may facilitate a re-cycling event. >>

Reminds me of my hypothetical Ultimate Machines Experiment 1 and Ultimate Machines Experiment 2 that I put in a file. Why dont you apply your insight to those toroidal configurations?

All counterwound (bifilar) toroidal coils **must** be wound so that the left and right windings cross at exactly 90 degrees. This insures that the electric is 90 degrees to magnetic and both these are at 90 degrees to the gravity through the axis of the coil. As you may guess or already understand, this is aligning dimensions, as "dimension" is defined as a 90 degree rotation.

Also review Heterodyning and Powers of Phi by Rick Andersen.

If you can locate Harvey D. Norris in the Google Search Engine, he is as technical as you are and has done many real experiments with what he calls " Binary Resonance Coils " or " Binary Resonant Coils ". His page I linked to was removed by him lately, as he said he would. I dont have a link to his present work right now.

Met

**99.75.20 End Burst in Coils (MetPhys)**

From: MetPhys@aol.com

To: healthnow@bodyvibes.com

Subject: End Burst in Coils

Date: 01/24/03

In a message dated 1/24/3 6:12:34 AM, healthnow@bodyvibes.com writes:

<< Speaking from my experience with the electromagnetic device I developed, there is a sudden burst of amplitude that appears on the scope when turning off the system. This must be the result of stored energy regarding of the delay created within the coil(s) >>

This is like Tesla's technique of using spark gaps to "shock" the system. A system in symmetric equilibrium will produce no power....only when the perfect spatial symmetry is shocked into assymetry will it unbalance the system and power will flow.

Turning off the input is the shock your system needs....now turn the input on and off at a faster rate.... on, off ,on , off, on, off...and you have a continual spike of shocked, assymetric power...see?

Met

© Copyright. Robert Grace. 2003