**108 The Sonic Torus Disc- 3rd
Experiment**

"The modulation of rotating tuned fields in a precise geometric layout can alter timespace flow." R.H. Ayana

**The Physical Embodiment:**

The narrative generally drifts from the first tetrahedron emanating from Aether and how this shape progresses to the most complicated shapes making up matter.

If you will keep one thought in mind as you read about how Aether accretes into mass (Ayana calls this being "in-phase"), this will be it- Reverse accretion:

Reverse the accretion process and imagine how mass can be turned into Aether (I call this being "out-of-phase" with the existing phase). This is one way mass can be broken down along with matters forces. Once mass is broken down by reversing the accretion process, the forces of mass also disappear. So within the harmonic egg which encompasses the spiraling counter field of the harmonics driven torus, plus the frequency transmitters upon the inside of the outer hull, located within the egg and within the inner diameter of the torus, directing frequency toward the center, interacting harmonically with the frequencies generated from the center, there will exist a new human-made field impressed upon the outer fields of space, suited for bucking the gravity of ever contracting space. This should lead to mass becoming invisible and time travel while the levitation is mainly driven by disc rotation using escape velocity rotation.

**The Configuration of the Disc**

Courtesy GN

**Input Mapping of 34 Sensors based upon Phi, upon a Counter-wound Torus**.

Slight adjustments in the number of notes may have to be made:

32 notes (68)

34 notes (1) (71)

36 notes (67)

(Note: The sound recordings of Billy Meier, made of a UFO, using only a cassette tape recorder, was analyzed and was found to have 32 simultaneous frequencies occurring, 24 in the audible range and eight in the inaudible range. To the present day, no synthesizer has been able to reproduce the total array of frequencies. If these frequencies are related to Phi, perhaps it can be reproduced.)

**How Frequency Controls Lift**:

**Electronic Frequency Control**:

Now the signal is encoded by only sounding the 16th notes of each group with different intensities. That is each quarter note represents one hex-digit and we have a map 4-bits deep. The result may be a gray sound scale which might maximize auditory sensitivity. This is an analog of tonal languages, e.g., Cherokee. Several signals, e.g., ion data, electron data, electric field data, position, etc., might be presented simultaneously by using different pitches or different octaves for variable pitch. For example, chords could be used, possibly tritone intervals, with each note representing one data stream or with different themes (signals) played in different registers, essentially a counter point display. The resulting sound track with some rhythm or beat superposed should permit new correlations to be heard.

This counterpoint arrangement serves as the medium for Mirror Mode Box Music.

**Electronic Frequency Control**:

2. Atom/Space Frequencies (Hz)

3. Pyramid_1Freq.pdf, Bayles

"but until I was able to derive the 'quantum frequency' related to quantum electrogravitational energy that defined by the energy in the quantum gravitational action, it was an equation in two unknowns of time. I present below the solution to where we can expect to resonate the quantum action of gravity with the energy in the gravitational field at an arbitrary point vertically above the surface of the Earth. In equations 6, 7, 8, and 9, I relate the acoustic frequencies that correspond to the cross length distances of the corbelled Grand Gallery of the Great Pyramid at Giza to physical distances along the gravitational gradient of the Earth.. Acoustic frequencies are those that vibrate atoms of air and thus are moving mass in a quantum sense. Then sound waves in air can be expected to interface with the gravitational quantum action for the purpose of resonance when coupled with an electric field in cross-product fashion. Thus, control of the correct acoustic as well as electrical frequencies will raise or lower a craft according to the the frequency employed."

"231.8690322580645 Hz

243.6589830508474 Hz

256.7121428571429 Hz

271.2430188679245 Hz

287.5176 Hz

305.8697872340426 Hz

326.7245454545455 Hz

350.6312195121951 Hz

Based on dimensions of the gallery width."

(**Note**: "I checked those pyramid frequencies and came up with a fairly close match, per Cousto, that they would be the pitches.....Bb, B, C, C#, D, D#, E, and interestingly the 350.6312195121951 hangs between f and f#..or F# 1/2 flat per the list of frequencies he gives on pg 108". T.Chess )

"The similarities of the above equations involving quantum particles to the equations involving standing waves of a transmission line above are quite apparent. Then, it is suggested that since the quantum and macro-electronic equations are so similar, it may be possible to cause movement of a macro-quantum craft simply by altering its phase or wavefunction. It is also suggested that quantum space is very similar to transmission line geometry as far as how the particles move through space. Then, if you can see it, it is real and has a standing wave that is real. This may be how the so-called UFO's may most likely appear and disappear so suddenly."

"Based on this analysis, it is predicted that a large scale system may also be constructed which will mimic the electron in a quantum sense, that is, tunnel through ordinary space to pop out somewhere else instantaneously. The energy required to do this 'jump' is not contained in the particle or structure, but simply gated in from energy space by controlling the particle or systems wave-function in a suitable fashion as described above."

4. TheTwoDs.pdf, Di Martino

5. thethreads.pdf, Di Martino

6. Dorianexplanation.pdf, Di Martino

7. ModpairsdistfromFs.pdf, Di Martino

8. 3_Dorianspregnancy.pdf, Di Martino

9. 4_innerandouterscales.pdf, Di Martino

10. Ichingconnotations.pdf, Di Martino

11. New Gravity by Robt J. Distinti (pdf)

12. UFO DESIGN 101 Steve Burns (pdf)

13. Podkletnov Impulse Gravity Generator Beam

14. Podkletnov Impulse Gravity Generator Beam

15. Podkletnov Impulse Gravity Generator

16. Podkletnov Impulse Gravity Generator Pictures

17. Podkletnov Impulse Gravity Generator Frequency Note

18. Superluminal Near-field Dipole Electromagnetic Fields, by William D. Walker (pdf)

19. Radio Wave Controlled Electric Field Drive System By Mike Competillo

The basic circuit consists of a master pulse generator of frequency f (the supposed frequency of the top note of the octave) followed by a series of 11 scale-of-two dividers. Pulses appearing at the output terminals of the 11 dividers, are staggered and never coincide in time. The relative values of the frequencies from the 11 dividers correspond to the relative values of the digits of the 11-digit binary number
representing a note. For every "one" in the binary number representing an intermediate tone, the corresponding frequency divider's output is fed to a pulse combiner circuit. Therefore the number of pulses appearing at the output of the combiner circuit every second, corresponds with the frequency of that intermediate tone".

In short, Carr is using hyper geometry maths and dimensional 90 rotations to mimic the structure of space....and when you do that mimic, the machine become the same source as space. It can't get any more simple than this.

(Note: The earths g-field is positive. If the local earth field is negative then + and - are attractive. If the local earth field or a disc field polarity is changed to positive, then it will be repulsive + and + to the earths g-field. Its a matter of changing polarity. MetPhys).

Experiment Premises

(1)The rim of the plastic element is charged negatively, either by induction or just the spinning action itself. The test assembly is mounted atop a sensitive, non-magnetic Hooke's Law type of scale.

(2)With a clockwise (CW) rotation of the plastic element, the
electrons on the rim are carried around by the rim at high velocities and thus are, in effect, a strong electrical circuiting current which thus creates a very intense magnetic field (H-field) in the central region of the disc. The H-field flux is directed down, in the same direction as the g-fields and thus are "attracted" by the g-fields. Therefore, the rotating element's weight is apparently reduced.

(3)With counterclockwise (CCW) rotation, the rim "current" is reversed and thus the direction of the H-fields in the center region are now up and thus they oppose the g-fields. Therefore, the element's "weight" is now apparently increased.

(4)Such aspects have been noted by many earlier researchers,
especially in experiments with electrostatic field generating devices. The more recent applications by researchers such as John Searl have resulted in levitation and high energy "extraction", and thus have been used to possibly explain "flying saucers" in a way. However, these experiments and the explanations were never received kindly by conventional science and thus have been largely ignored and even suppressed! The writer believes that many of these experiments are valid and will eventually lead to new transportation methods. Efforts in these aspects are increasing all the time.

The principle of superposition states that "In order to calculate the resultant intensity of superimposed fields, each field must be dealt with individually as though the other were not present". The resultant is obtained by vector addition of each field considered singularly. Consider for a moment the construction of the triode which includes the bifilar coils located within the fields of the two conditioned magnets. When the current in one half of the conductors in the coils (i.e., one of the bifilar elements in each coil) of the device is moving up, both the current and the magnetic field follow the right-hand rule. The resultant motional E-field would be vertical to both and inwardly directed. At the same time the current in the other half of the conductors in the coils is moving down and both the current and magnetic field follow the right- hand rule. The resulting motion E-field is again vertical to both and inwardly directed. Thus, the resultant field intensity is double the intensity attributable to either one of the set of coil conductors taken singularly.

INDUCED MOTIONAL FIELD - NEGATIVE ENERGY

"Conventional theory says that electric fields and magnetic fields are different things. Consider for a moment a charge with an electric field around it. If the charge is moved a magnetic field develops and the moving charge constitutes a current. If an observer were to move along with the charge, he would see no relative motion, no current, and no magnetic field. A stationary observer would see motion, current and a magnetic field. It would appear that a magnetic field is an electric field observed from a motional reference frame. Similarly, if we take a mass with a gravity field around it and we move the mass and create a mass current, a new field is also created. It is a different kind of gravity field with no source and no sink. It is called the Protational field also known as the "Lense-Thirring Effect". This field an its governing principles will form the basis for future anti-gravity devices."

(Note: Sooo... a rotating mass with a gravity field produces a mass current and a different kind of gravity. MetPhys).

Phi Physics2

"Apparent" Superluminal Velocity of Light Experiment "This article was written whilst I was trying to retrace one experiment that mentioned superluminal speeds of 4.3 or 4.32 (which at present I have not been able to retrieve, but suspect it is on the German 1998 television documentary on Dr. Chiao's work, which I am in the process of obtaining again from the source that gave me the initial copy. Why was the 4.32 so important. Actually any decimal harmonic of it, like 432 or 43,200 is of value. For this is another approach to PHI. We look here at the figures in geometry. The platonic solid the dodecahedron, is a perfect symmetrical object that can beautifully map PHI, and a dodecahdron can be constructed by 5 cubes. With the first cube tilted at -64 on its X axis, the next cube is tilted at 72 deg on the Y-axis, followed by 144; 216; and 288. Hence, 5 cubes at 72 deg on the Y-axis. What has 72 deg to do with PHI? A golden mean triangle is made by taking one horizontal line, any length, as base, and then extending two 72 deg lines vertically up until they kiss each other. Five of these golden triangles, with each respective base tilted at 36 deg renders the Pythagorean pentagramme within a pentagon, the perfect persona for PHI. 5 cubes at 72 deg; 5 golden triangles at 72 deg. The first a 3D object of 12 pentagon faces, the latter a 2D single face. 6 x 72 renders 432. When a dodecahedron's 12 pentagon faces are used to map number sequence degree's, then some astounding numbers emerge from this 3D PHI complex. Taking the first pentagon, it is comprised of 5 36 deg lines. Hence, 36; 72, 108; 144; 180. The next face then continues this sequence: 216; 252; 288; 324; 360, and so forth, now continuing on the next neighboring face: 396; 432...Hence, we now have traveled on a geometrical visual journey to discover the 432 connection to PHI, any decimal harmonic of this number can be utilized to construct the same geometrical PHI complex. Take for instance 43,200, the number of seconds in 12 hours, this is 600 times 72 deg. Hence, make a complex of 20 dodecahedrons."

Gravity

"On the scale of wave-centres, gravity does not exist! (I forgot to mention that "mass" is not even defined!) Gravity is a macroscopic effect, a result of statistical imbalance. It follows from the fact that the phi-waves coming from a nearby mass will tend to have greater coherence than those from elsewhere, and, as explained above, wave-centres tend to move to the places where they can best get into resonance with incoming phi-waves.The basic wave-length involved is the very small one of the phi-waves themselves, but the phi-waves tend to be grouped - modulated - to form the "energy waves" with which we are familiar. It seems possible that coupling at any wavelength can contribute to "gravity"."

(Note: This is coherent implosion at Phi ratio. MetPhys).

..."it is convenient to make a very useful synthetic saw tooth from a good square wave. The technique is called "staircasing",...

"If we now consider the geometry of the natural spiral we find that every 90 degrees of rotation of a radial (having one end anchored at the locus) of arbitrary length around of the center of the spiral will increase or decrease the radius line by Phi or 1/Phi respectively. Every 180 degrees of rotation will increase or decrease the radial line by the natural number e or 1/e respectively I have discovered that a direct relationship of the geometry of the Great Pyramid, the natural golden spiral, the Fibonacci series and the electron coupling constant (also known as the fine structure constant) is expressed by the following formula involving the Golden Ratio Phi.

Note: Formula not copied.

thus, a = 7.294901687515768- 10^-3 5)

Note: The presently accepted value for (a)isa sub k := 7.297353080- 10^-3

It is obvious that the derived value of the fine structure constant (a) based on Phi and the related Great Pyramid value TP above is very close to the accepted value of a and this must then strongly suggest that the transformation of energy from the static geometry of the electron to its dynamic field energy geometry is related to the structure of the Great Pyramid as well as the natural spiral, the Fibonacci series and the golden ratio.

Linking music with real, complex and quaternion numbers, also illustrates the 12 rhombic faces (the collapsed octahedron of the 24-cell) inside a rhombic dodecahedron...

1. Electrons are antimatter. Scientific American Magazine.

2. Extreme negative soft electrons (are) antigravity. Robert L. (Clark9.asc, keelynet.com)

3. Frequency of Nitrogen- 23,870 Megacycles (10^6).

4. Frequency of a Neutron Beam- v = 743 KHz (10^30). To spin-flip a Neutron, tune the current and guide field for 100% flip. Dewey Decimal Number: QC 793.5 N4624, p. 101.

Analogy of Rydberg states and the Fibonacci series. Also, the technique of expanding atoms beyond their normal angstrom distances internally, to negate the internal Van Der Wall forces, using three lasers.

The neutral center and the beginning of the "other side". The 12 ball around 1 or the Vector Equilibrium of B. Fuller, is discussed.

"Sound annihilates atomic force".

"Sound subdivides atoms"...

"our atoms become Keely's molecules".

Scientific American

Oct. 11, 1884.

Discussion of the embedded codes in the building called Chartres.

The current state of the electron mass calculation indicates that gravity travels about 4.65E+34 times the speed of light!

This document on my site: EARTH POWER SPECTRUM...

(9/29/01 Note: 13 pairs will be explained in a future File pertaining to the Sumerians base-12 as a counting system where the vibrations of the number 13 would represent an octave - the first counting unit on the next "level," just as 10 is the next "level" of the number 1 when using a base-10 system. The vibrations of the number 13 as an octave can be seen on a conventional piano if you were to play a "chromatic" scale, where you go from C to C playing both white and black keys. Each scale will have 12 notes before resolving to the Octave on the 13th. Also, 12 fifths spans 7 octaves and requires a 13th and the phenomenon of two different divisions of the year into two slightly different lengths of months strikes a very close parallel with Pythagoras' comma, with its two slightly different sets of twelve notes around the circle of an octave. Moreover, the File will explain the 13 semi-tone seperations pertaining to the intervals from a minor second to a major ninth, plus a particular 53 note scale of a "double helix" in the domain of the musical tone system...the "sharps" and "flats' furnishing helical formations, each separately split with the Pythagorean comma (Ptolemaic comma?). Furthermore, the 4 groups of 13 drums of the The Tibetan Hurling Stones total 72 = MAGNETIC, the reverse of 27 used to levitate the stones. 19 musical instruments were set in an arc of 90 degrees (144 - 54 = 90, the same as the sum of the ANVs of INCH and FOOT) at a distance of 63 metres from the stone slab. 19 being the sum of Leedskalnin's 7+1+2+9..., 63 being the reverse of 36 and 72 being the reverse of the sum of Leedskalnin's 6+1+0+5+1+9+5 = 27.

The following is an extrapolation of the number of drums and trumpets, in the 90 degree quarter-circle (jpg), extrapolated into a complete circle (360 degrees), totalling the number of musical instruments x 4 quarters. This will give a levitating disc by way of electrically generated tones, using harmonics, or perhaps, dissonance to disturb the harmonic matter of the disc.

**Extrapolating to The Disc**

To extend to a circle, place 19 tone generators in 1 / 4 circle, giving us 19.

To extend tone generators in the next quadrant requires subtracting 1 tone from the 2nd quadrant because there are already 2 tones at each 'end' of the first quadrant. Therefore the 2nd quadrant will only require 18 tones.

The 3rd quadrant will only require 18 again.

The 4th and last quadrant will require only 17 tones because the 1st quadrant has a tone at the beginning of its quadrant, as does the 3rd quadrant at its end.

A total of 19 + 18 + 18 +17 = 72 tone generators should levitate this disc with the proper diameter.

**6 and 13**

The drum and trumpet positions can be assumed to be alternated, 13 drum tones equally interspersed with 6 trumpet tones per quadrant. This implies that a total of 13 drum tones and 6 trumpet tones must occupy each 90 degree quadrant, not quite reaching the 90 degree divisions of the circle. 13 drum tones per quadrant gives 14 spaces for 6 trumpet tones between...Beginning with the 90 degree line, a trumpet tone can be placed there, then, skipping 3 spaces, place a trumpet tone there, skipping 3 more spaces, adding another trumpet tone, giving us 6 trumpet tones per quadrant, beginning and ending exactly on the 90 quadrant lines. To extend around the circle required that 2 trumpet tones are overlapping on each quadrant line. Beginning the count several other ways by counting spaces or drum positions only gives us 7 tones per quadrant...not acceptable.

Another acceptable arrangement of trumpet tones is to divide 90 degrees by 6 tones giving the spacing of tones per quadrant, in degrees, namely, every 15 degrees.

Having arranged our tone generators properly, and having found the proper frequencies to drive the tone generators, the disc should levitate. The proper frequencies should be Phi and its multiples operating the first and third quadrant and Phi and its multiples operating the second and forth quadrant, with control of the craft ranging from a perfectly tuned system between the two opposite quadrants or a de.tuning to a maximum of Phi (1.618) between the opposites to create the beat frequency often heard in levitating discs...the lub...lub...lub of Phi. The closer these two groups of two counter-frequencies or counter-rotating frequencies are to each other, I believe, the higher the disc should rise because the gravity field that is created around the disc cannot occupy the same gravity field that exists around the earth, therefore the earths gravity field will eject the disc out of the earths gravity field, which means it will shoot off into space. )

MetPhys@aol.com

"By dividing the speed of light by the Compton wavelength a frequency is obtained:"

"This is the universal frequency that applies to all the subatomic particles, light speed, permeability, permittivity, conductance, Coulomb's constant, the gravitational constant, and all primary frequency. It turns out that frequency squared times the inertia of an electron is equal to the energy of the Quantum Tshan-kha."